即刻觀影
劇情賞析
編輯推薦
豬扒大聯(lián)盟
李嘉欣,莫文蔚,林熙蕾,關(guān)秀媚,陳小春,馮德倫,黃浩然,杜德偉,郭少蕓,陳鍵鋒,許紹雄,盧海鵬,杜汶澤 Chapman To,鄒凱光,葉競生電話公司里有四位全棟大廈聞名的“豬扒”：患罕見脫發(fā)癥導(dǎo)致頭發(fā)稀疏的阿Mo（李嘉欣 飾）、荷爾蒙過剩的保安主管蘇眉（莫文蔚 飾）、臉上有大塊惡心胎記的計算機部員工“態(tài)貓”（林熙蕾 飾）、哨牙蒙眼的秘書阿刨（關(guān)秀媚 飾）。四個“豬扒”在公司雖然工作努力，但因樣子問題經(jīng)常遭到宣傳部主管“妖姬”嘲笑和排擠，四人敢怒不敢言，直到一天公司因經(jīng)濟不景氣四人同時遭到了解雇。公司設(shè)計師春春（陳小春 飾）可憐四人的遭遇，與細龜和阿倫想出了一條別出心裁的妙計，幫助四人籌款整容。春春的妙計能否湊效，四位“豬扒”又能否咸魚翻身？
富貴再逼人
沈殿霞,董驃在報館任職的驃叔（董驃 飾）因為工作的關(guān)系帶著全家到加拿大工作。一家五口都全身心投入新環(huán)境新生活中，驃叔卻因得罪上司被解雇了。由于大女兒、二女兒（李麗珍 飾）已開始了學(xué)業(yè)，他唯有帶著妻子驃嬸（沈殿霞 飾）與最小的女兒回到香港繼續(xù)生活，生活卻比以前更艱難了。驃嬸無意中發(fā)現(xiàn)了一張加拿大的頭獎彩票，獎金是兩千萬加幣?！ ∮捎诓粔蝈X到加國，驃叔硬著頭皮向舊上司借。同樣受到經(jīng)濟危機的上司設(shè)法要奪取驃叔的彩票。驃叔一家頑強對抗，保住了彩票，卻無法在領(lǐng)獎時限截止前趕到?！ ∫患胰藗牧鳒I，悲傷之中發(fā)現(xiàn)時間上出現(xiàn)了時差，領(lǐng)獎的時間還沒截止。
超級士兵
約翰·亞伯拉罕,杰奎琳·費南德斯,拉庫爾·普雷特·辛格目睹一名陸軍士兵的崛起，他意識到自己的命運，并在與內(nèi)心的惡魔和外部敵人作戰(zhàn)時，成為印度第一名為打擊恐怖分子而創(chuàng)建的超級士兵
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愛情儲蓄罐
宋仲基,韓藝瑟,李相燁,申素率智雄（宋仲基 飾）大學(xué)畢業(yè)后便整日游手好閑。某天他認識了從對面天臺跳過來撿瓶子的怪女人紅實（韓藝瑟 飾）。守財如命的紅實盯上了智雄住所的搬遷費，她暗中找到智雄的房東，把租房合同改到自己名下，令智雄無家可歸?？吹綄Ψ揭琅f樂觀的樣子，受到觸動的紅實承諾幫助他在短期內(nèi)攢到巨款。毫不知情的智雄對紅實的“善心之舉”懷抱感激。他開始學(xué)習(xí)無條件聽從紅實的命令，但是時常暴露的敗家本性又總會惹惱紅實?！ 〖t實雖然異常吝嗇，內(nèi)心深處卻也有著女人的夢想。她把辛苦攢到的錢交給意中人（李相燁 飾）托管，期望有一天能成為配得上對方的好女人。卻不料一日意中人與情人攜款逃跑，令紅實深受打擊。而智雄也終于得知當(dāng)初無家可歸的內(nèi)幕，感到被利用的他是否會原諒紅實？
凌晨是神的時間
日南響子,飛鳥凜,藤本七海據(jù)日本警方統(tǒng)計，每年僅提交申請的失蹤人口就達10萬人，其中9萬人的行蹤可疑確認，但仍有1萬人下落不明。位于遠郊的一座深山叢林，似乎具有著強烈的魔性，無數(shù)人進入這里，從此消失無蹤。少女繭（日南響子 飾）偶然和父親目擊一輛綁架了少女的車，父女倆一路追蹤，走上了不歸之途；家庭主婦真奈（桐島れいか 飾）十年前曾在林中丟失長女，如今他的小女兒阿櫻離家上學(xué)后也一去不返；正在拍攝恐怖電影的新人女演員麗奈（飛鳥凜 飾）結(jié)束工作后，不得不穿越那座恐怖的森林，其中的景象與聲音令她戰(zhàn)栗不已；小女孩薰（藤本七海 飾）受托照顧?quán)徏业暮⒆?，可是她卻遭遇了一個恐怖的人形?！ 〔煌娜?，不同的故事，同樣的恐怖……