切羅基大街的房子

? 8.3 播放：83萬(wàn) 2026-04-22

英國(guó)托管末期的以色列特拉維夫。生活在切羅基大街的是一群來(lái)自世界各地猶太人。15歲埃及裔以色列男孩兒薩米是寡婦克拉拉的長(zhǎng)子。克拉拉給人幫傭，家庭生活拮據(jù)。喜歡讀書的薩米不得不綴學(xué)去做工。因粗暴的工頭的種族歧視語(yǔ)言引發(fā)了工人們的罷工，薩米借機(jī)來(lái)到圖書館看，邂逅了敘利亞女孩兒索妮亞，并與她發(fā)生了肌膚之親，最終因種族和年齡的差異而分手。英國(guó)軍隊(duì)四處抓捕猶太激進(jìn)分子，民不聊生。聯(lián)合國(guó)決議宣布后，第一次中東戰(zhàn)爭(zhēng)開(kāi)始，薩米的弟弟在轟炸中喪生，薩米虛報(bào)年齡參軍入伍，奔赴戰(zhàn)場(chǎng)。獲獎(jiǎng)情況：該片獲當(dāng)年奧斯卡最佳外語(yǔ)片提名。 　　

在線觀看

? 播放 切羅基大街的房子

劇情提要

英國(guó)托管末期的以色列特拉維夫。生活在切羅基大街的是一群來(lái)自世界各地猶太人。15歲埃及裔以色列男孩兒薩米是寡婦克拉拉的長(zhǎng)子。克拉拉給人幫傭，家庭生活拮據(jù)。喜歡讀書的薩米不得不綴學(xué)去做工。因粗暴的工頭的種族歧視語(yǔ)言引發(fā)了工人們的罷工，薩米借機(jī)來(lái)到圖書館看，邂逅了敘利亞女孩兒索妮亞，并與她發(fā)生了肌膚之親，最終因種族和年齡的差異而分手。英國(guó)軍隊(duì)四處抓捕猶太激進(jìn)分子，民不聊生。聯(lián)合國(guó)決議宣布后，第一次中東戰(zhàn)爭(zhēng)開(kāi)始，薩米的弟弟在轟炸中喪生，薩米虛報(bào)年齡參軍入伍，奔赴戰(zhàn)場(chǎng)。獲獎(jiǎng)情況：該片獲當(dāng)年奧斯卡最佳外語(yǔ)片提名。 　　

幕后花絮

擂臺(tái)兄弟

在科欽堡，一群不合群者聯(lián)合起來(lái)創(chuàng)建了一個(gè)摔跤團(tuán)體，他們面臨內(nèi)部競(jìng)爭(zhēng)和滑稽的打斗，并隨著成長(zhǎng)去應(yīng)對(duì)更大的障礙。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.