不知從何處來的女孩
金熊獎導演讓-克勞德布里索2012全新奇幻力作 榮獲瑞士洛迦諾電影節最佳影片金豹獎,一位退休鰥居的數學老師在家門口遇見一個無家可歸的少女,她的到來給生活帶來了新意,同時也帶來一些神秘事件 繼08年的《冒險》之后,讓、;克勞德 布里索整整沉寂了四年,他以法國導演所獨有的慢節奏,繼續深掘著;新古典主義;的人文情懷。在這四年間,年近七旬的布里索依然義無反顧地思考著存在與虛無,依然著迷于奇妙的懸浮術,也依然熱衷于情色表達。于是,在這部2012年新作《不知從何處來的女孩》中,布里索再一次打開神話的閘門,跳進情色與哲學的漩渦中,繼續以精神的濕地.........
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冰風暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當·漢拜德,大衛·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼1973年美國康涅狄格州,感恩節快要到來,一場冰風暴也即將到來。平凡乏味的家庭生活使中年夫妻厭倦,丈夫本?胡德(凱文?克萊恩飾)一直在引誘鄰居珍妮特?哈珀,而妻子(瓊?艾倫飾)對丈夫的謊言也早已不耐煩了。兒子保羅(托比?馬奎爾飾)迷戀著學校里最有人緣的那位女生。女兒溫迪(克里斯蒂娜?里奇)興趣于電視里的水門事件聽證會。 冰風暴的夜晚,夫妻兩個去朋友家參加一個雞尾酒會,雞尾酒會的一個重要內容是進行換房間鑰匙的游戲。在酒會結束后,每個妻子都可以和別家男人結成新歡。而他們兒子則趕去面對一場誘惑與考驗,女兒正陶醉在同鄰家男孩子的性游戲中……
何以陽光
宇桐非,梁鏡珂,蘇一龍,李華,鄭龍,孟靖,張綺煙肖首英是一位放浪不羈的拳擊手,因為參加拳擊比賽,而失去了患病的妻子,從此一蹶不振,他答應妻子以后退出拳臺,絕不會讓兒子肖凱去打拳。肖凱從小就有打拳的天賦,但肖首英一直在阻攔,肖凱偷偷的報名參加了拳擊比賽,最后贏得了冠軍,從此打開了父親的心結
陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀,京本大我,瀧藤賢一改編自泉朝樹創作的同名暢銷漫畫,講述女高中生突然發現自己能看到鬼魂,她選擇假裝看不見,即使同學被鬼魂纏身,她也視而不見。她能通過這種方法克服這場危機嗎?
告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan亨利(加里·庫柏 Gary Cooper 飾)是一位熱血沸騰的青年,戰爭爆發了,他自愿前往意大利,成為了一名救護車駕駛員。在意大利,亨利結識了名為凱瑟琳(海倫·海絲 Helen Hayes 飾)的美麗護士,之后,亨利因為受傷被送進了米蘭醫院,在那里,他和凱瑟琳重逢了。住院期間,亨利和凱瑟琳墜入了情網,凱瑟琳的腹中亦懷上了亨利的骨肉。傷愈之后,亨利回到了戰場,卻發現我軍的士氣大跌,處處彌漫著慘淡的氣氛。上司開始大量處決涉嫌逃跑的士兵,亨利亦難以幸免,他僥幸逃脫了自己人的槍子,他決定找到凱瑟琳,兩人逃離戰場,去過他們與世無爭的日子。然而,意大利警察的追捕緊隨其后,兩人踏上了逃亡的旅途。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
吾輩本如斯
比爾·薩奇,安拜·柴爾德斯,朱莉婭·加納,凱莉·麥吉利斯,懷亞特·拉塞爾,杰克·戈爾在大雨瓢潑的星期五,帕克夫人(Kassie Wesley DePaiva 飾)突然身體不適,跌倒路旁的水坑中痛苦死去。該事件給她的家人以不小的打擊,三個孩子伊莉絲(安拜·柴爾德斯 Ambyr Childers 飾)、蘿絲(朱莉婭·加納 Julia Garner 飾)和羅瑞(Jack Gore 飾)憂傷不已,男主人弗蘭克(比爾·薩奇 Bill Sage 飾)卻似乎格外震驚。在孩子們的眼里,爸爸是至高無上權力的象征,女孩們渴望像同齡人一樣快樂自由成長,卻無奈必須服從爸爸的命令。籠罩在淡淡悲傷中的帕克家,隱藏著令人不敢直視的恐怖秘密,一本日記揭示著家族注定被詛咒的命運和歷史。 與此同時,小鎮周圍的人口失蹤事件和意外被洪水沖出的手指骨,引起了有心人的關注,帕克家的秘密即將大白天下……