借錢
新婚夫婦娜妮和俊熙離開悶熱的漢城，嘗試在鄉下開一家咖啡館。在這對夫妻嘗試改變的背后，他們有一些無法形容的擔憂，因此他們是無性的人，他們使用自己的房間是因為他們的性別不相容。不管丈夫為建立關系所做的努力，她的妻子娜妮（Na-ni）一直與她的性伴侶Dal-ho發生婚外戀，Dal-ho陷入了一場車禍，她從未想過在戶外享受性愛并要求進行大額和解。娜妮（Na-ni）結婚前就一直依靠丈夫的經濟資源，跪拜受害人張秀（Shang-soo）并求饒，但農夫張秀（Shang-soo）堅持挖掘自己的弱點，要求羞辱人際關系。雖然娜妮（Na-ni）因創建鄉村而陷入困境，但她的丈夫Joon-seo一直抱怨自己最近的妻子娜妮（Na-ni），她也開始對她獨特的性取向睜大眼睛由于年輕，挑釁的兼職清雅人的魅力。 Chang-soo和Cheong-ah，擠壓這些夫婦的農民以及那些像網一樣糾纏的人們的命運是什么？
在線看
同款熱播
美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾致力于研究暴力行為根源的世界著名心理學家阿曼達·泰勒博士，有一個訪談和評估死囚杰克遜·謝伊的良機，隨著訪談的開始，決定杰克命運的天平失去了平衡，阿曼達必須決定是否應該允許執行死刑！
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事： 影片故事講述拔泰王錦魯飾演的東南亞某小國特工翁坤，為了調查一伙恐怖份子，秘密潛入泰國曼谷執行任務，并化裝成為流行歌星，混入唱片公司追查。他老婆并不知道他的真實身份，因為翁坤是個十足的“妻管嚴”，但要命的是，他在泰國無可救藥愛上了一個漂亮美眉……與此同時，恐怖份子也要發動大規模襲擊了，翁坤如何能制止這場破壞？ ⊙《曼谷保鏢2》的看點： 繼2005年大賣座的第一集之后，《曼谷保鏢》于今年拍出了續集，有“泰國周星馳”之稱泰國喜劇明星拔泰王錦魯繼續自編自導自演，繼續請來《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師，并且自己惡搞了《拳霸》《冬蔭功》等片，拔泰王錦魯（《拳霸》另一主演）演出非常出彩過癮。Tony Jaa則之是客串身份，在片中有一場打斗，另外自己還拿《冬蔭功》開涮，十分的“搞”。
奇遇
賈冰,王皓,李夢,鄭合惠子,楊皓宇,翟子路,于洋,費啟鳴,李乃文,馬旭東,鄧帥,李治良,馮滿,郝瀚,李飛,小沈陽,徐浩倫,譚湘文,唐香玉43歲的社畜大叔黃遇奇（賈冰 飾）身體處處亮紅燈，是生活中的背景板，職場上的一塊磚。被人生困住的他因一場意外與18歲的自己互換靈魂！從此，沒有“班味”的中年黃遇奇開啟了創飛人生的一系列操作！不做卷王，享受人生就對了！“少年老成”的18歲黃遇奇（王皓 飾）手握未來劇本，開始實行“富二代養成計劃”！不再叛逆，彌補遺憾就對了！橫沖直撞的他們會如何掌控自己的全新人生？
食人晚宴
Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
巴里·林登
瑞安·奧尼爾,馬里莎·貝倫森,帕特里克·馬基,哈迪·克魯格,史蒂文·伯克夫,蓋伊·漢密爾頓,瑪麗·基恩,黛安娜·科爾納,穆雷·梅爾文,弗蘭克·米德爾馬斯,安德魯·莫瑞爾,戈弗雷·奎格利,雷納德·洛塞特,菲利普·斯通,利昂·維塔利,喬納森·塞西爾,彼得·塞利爾,杰弗里·蔡特,伯納德·赫普頓,巴里·杰克遜,沃爾夫·卡赫勒,漢斯·邁爾,費迪·梅恩,利亞姆·雷德蒙,帕特·羅奇,多米尼克·塞維奇,約翰·夏普愛爾蘭，Redmond Barry(瑞安·奧尼爾 Ryan O'Neal 飾）從小和母親寄居在舅舅家，后來愛上了他的表姐Nora。Nora的父親卻想把她許配給一個英格蘭將軍John Quin。于是Barry向Quin提出決斗，決斗中Barry射中了Quin，誤以為將他殺 死了，匆忙逃離家鄉。路上他遭遇搶劫，走投無路只能加入英國軍隊。在軍隊中他才得知，其實Quin并沒有死。Barry從英軍中出逃，卻加入了普魯士軍。戰爭結束后他成了普魯士軍官Potzdorf的心腹，更讓他去監視一個在普魯士的愛爾蘭間諜。Barry卻和這個愛爾蘭騎士惺惺相惜，愛爾蘭騎士帶他出入賭場，收獲頗豐。Barry覺得自己應該找個有錢的女人，于是盯上了Lyndon爵士的夫人Lady Lyndon。Lyndon爵士病重身亡，一年后，Barry和Lady Lyndon結婚，也成了一名貴族，改名為Barry Lyndon。但Lyndon爵士和Lady Lyndon的兒子Bullingdon卻十分不喜歡Barry，Barry也預感到自己的未來將會毀于Bullingdon手中.....