他人妻
邁耶-是知名的兒童文學(xué)作家,工作使其與婦女接觸非常成功。他的哲學(xué)是"嘗試并退出"。它特別興奮,這些婦女-外國妻子。突然他愛上美麗羅珊與準(zhǔn)備在他的生活中打開新的一頁。但也有兩位年輕美女作為他們埃迪及其類型 ︰ 把那個家伙在你整個的處置。對他來說,它成為一個真正的惡夢"。歡迎來到色情噩夢從花花公子。
劇情簡介
邁耶-是知名的兒童文學(xué)作家,工作使其與婦女接觸非常成功。他的哲學(xué)是"嘗試并退出"。它特別興奮,這些婦女-外國妻子。突然他愛上美麗羅珊與準(zhǔn)備在他的生活中打開新的一頁。但也有兩位年輕美女作為他們埃迪及其類型 ︰ 把那個家伙在你整個的處置。對他來說,它成為一個真正的惡夢"。歡迎來到色情噩夢從花花公子。
為你推薦
美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫(安東尼·拉帕格利亞飾)慶祝完結(jié)婚25周年后不久,丈夫出差在外,達(dá)西(瓊·艾倫)在車庫找電池,卻無意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”。 影片的小說藍(lán)本是金2010年出版的短篇小說集《暗夜無星》(Full Dark, No Stars)中的一篇。金在接受采訪時說,小說的靈感來自于2005年被捕的美國“BTK連環(huán)殺手”丹尼斯·雷德(Dennis Rader),他就有一位結(jié)婚三十四年的妻子寶拉(Paula),對他的殺人行為毫不知情。金表示,小說探討的是,人與人之間永遠(yuǎn)不可能完全了解,即使是最愛的人也一樣。
女孩2025
邱澤,湯毓綺,白小櫻,林品彤,賴雨霏,劉品言,陳竹升,曾珮瑜,梁正群,謝瓊煖,黃鐙輝,劉冠廷1988年,基隆港煙塵蔽日,林小麗(白小櫻 飾)在迷惘中長大,渴望逃離黑暗。 直到遇見無懼眼光、自在生活的李莉莉(林品彤 飾),她才第一次看見世界的色彩。 然而,這份向往卻觸動了母親(湯毓綺 飾)的過往創(chuàng)傷。 當(dāng)年,她也曾憧憬未來,卻被現(xiàn)實困住。 女孩與女人,在交錯的命運(yùn)中互相映照,像一面鏡子照出彼此的傷卻無能為力。
美國勇士
A man with a troubled past decides to turn his life around after a heroic act by training for a mixed martial arts tournament.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
AUNTY當(dāng)網(wǎng)紅
精武陳真:租界風(fēng)云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾1911年,陳真為師父霍元甲報仇后投身革命加入中國同盟會,受托調(diào)查軍閥與日本在天津租界的勾結(jié)。在執(zhí)行任務(wù)遭伏擊、同伴中毒的險境中,陳真與一度為敵的武人鄭邵遠(yuǎn)從對決到聯(lián)手,最終陳真在租界內(nèi)與日諜頭目決一死戰(zhàn),揭穿陰謀,公之于眾。
兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy在多年前的一段經(jīng)歷后回到法國,鋼琴家馬蒂亞斯·福格勒將再次與他的導(dǎo)師埃倫取得聯(lián)系,為一場音樂會做準(zhǔn)備。在一座公園里,他將邂逅一個與自己長得一模一樣的孩子,而這個孩子會把他引向克洛丁——一位他曾在某個時代深愛過的女人。