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為了讓女兒西門柔(李麗珍)避開狂風浪蝶的追求,財主西門堅(徐錦江)命令其作男兒打扮去求學。結識書生花道(駱達華)后,西門柔與之成為好友,但當她的女兒身身份被花道發現后,對方對其展開了拼命追求。 西門堅異常好色,為白癡兒子娶到漂亮老婆后,又垂涎兒媳的美色,欲把她納為妾,不知娶到手的美女原是魔女幻姬(舒淇)的化身。幻姬懂得采陰補陽,暗中把西門堅身邊的妾侍一一殺除,更想在最后吸盡西門堅的精華。西門柔與花道企圖揭開幻姬的陰謀,一場大戰展開。
為了讓女兒西門柔(李麗珍)避開狂風浪蝶的追求,財主西門堅(徐錦江)命令其作男兒打扮去求學。結識書生花道(駱達華)后,西門柔與之成為好友,但當她的女兒身身份被花道發現后,對方對其展開了拼命追求。 西門堅異常好色,為白癡兒子娶到漂亮老婆后,又垂涎兒媳的美色,欲把她納為妾,不知娶到手的美女原是魔女幻姬(舒淇)的化身。幻姬懂得采陰補陽,暗中把西門堅身邊的妾侍一一殺除,更想在最后吸盡西門堅的精華。西門柔與花道企圖揭開幻姬的陰謀,一場大戰展開。
Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions: Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
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當10個年輕人去探索一家廢棄的比薩店時,他們很快就知道,他們將不得不為自己的生命而戰,同時試圖揭開比薩店令人不安的歷史。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster