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狗舍
丹尼·戴爾,諾埃爾·克拉克,埃米爾·馬爾娃,李·恩格里比,Keith-Lee Castle,克里斯蒂娜·科爾,特里·斯通,尼爾·馬斯克爾,埃米莉·布思,斯蒂芬·格拉漢姆,杰西卡-簡·斯塔福德,阿黛爾·秀娃,Zac Mattoon O'Brien,瑪麗·塔姆,比利·穆瑞,艾麗森·卡洛爾,珍娜·古德溫,妮娜·艾爾斯為了幫助好友文斯（斯蒂芬·格拉漢姆 Stephen Graham 飾）度過傷心的離婚，一群好友尼爾（丹尼·戴爾 Danny Dyer 飾）、科勒雷（比利·穆瑞 Billy Murray 飾）、米奇（洛爾·克拉克 Noel Clarke 飾）、馬特（李·恩格里比 Lee Ingleby 飾）等人帶著他前往一偏僻小鎮度假。本以為去的是人間天堂，結果他們卻發現這里根本就是地獄，因為這里的女人都染上了怪病，會像僵尸一樣襲擊、吃掉所有男人。盡管這些男人平時都是唯唯諾諾的“妻管嚴”，但是面對女僵尸他們絕不手軟，于是一場好好的度假徹底淪為了爺們兒大戰女僵尸的戰爭。
這個男人來自地獄
肖恩·派特里克·弗蘭納里,喬丹·貝爾菲,小詹姆斯·希利,埃里克·漢森,斯特里奧·薩萬特,卡梅倫·阿內特,賈瑞特·勒馬斯特,羅伯特·皮特斯,湯姆·歐默,薩拉·埃爾南德斯,蒂娜·托納,莫拉·科西尼,馬克·德亞歷山德羅,森約·阿莫庫,丹尼爾·馬丁·伯基在計劃被處決的當天，一名被定罪的連環殺手接受了精神病評估。在評估期間，他聲稱自己是一個惡魔，并進一步聲稱，在評估時間結束之前，精神病學家自己將犯下三起謀殺案。Steve Deace所撰寫的宗教題材暢銷書A Nefarious Plot的前傳電影。
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘唐亂世，瘟疫橫行，傳言妖女吳雙化為邪祟禍害人間。然而，吳雙的哥哥不良人吳令，從不相信自己善良的妹妹會是所謂妖女，他決心以縫尸還魂的秘術，復活被斬首的妹妹，在暗影涌動的瘟神廟中，設下詭局，審判真正的惡人，求一份清白與公道。 影片根據短篇小說《古廟夜譚》改編。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi一群年輕人在一個服裝笑話中串謀，以致命的事故和沉默的協議告終，一群年輕人將受到一位匿名作家的威脅，他想揭露他的黑暗秘密。他們的跟蹤者威脅要在社交媒體上發布一本以他們為原型的血腥恐怖小說。每一章都會有一個人死去。由于彼此不信任，這群人將在大學校園中央開始一場生存之戰。他們中的任何一個人都有可能成為下一個受害者，或者兇手。
首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀平,夏八木勛,龍雷太,相馬剛三,丹波哲郎,津村鷹志,渡邊文雄,財津一郎,海老名美どり這部災難影片背景以現代日本為中心，主要描寫東京突然被一股莫名的濃霧所籠罩，整個都會好像一下子消失了似的，各地政府及科研人員因此極為震驚，急忙組織起來研究對策。但是人們卻無法穿越濃霧進入東京首都圈。這場濃霧形成了一個無法穿越的電磁屏障。而圈外的科學家們則在受損嚴重的軍用偵察機上得到靈感，利用即將到來的臺風和雷暴雨，加上人工大功率電磁干擾機，終于化解了這場戲劇般的非自然危機。 這原本該是一個不錯的富有戲劇張力的構思，但拍出來的片子卻教人不敢叫好，劇中女記者的角色刻劃不具感染力，而她和男記者之間時好時壞的關系描寫也讓人感覺莫名其妙，確是讓觀眾感覺象一場霧。
杰索拉·加尼美·卡美巴 決戰！南海的大怪獸
久保明,小林夕岐子,高橋厚子攝影師工藤太郎在坐飛機的途中發現一架太空囊墜入大海，那正是4個月前離奇失蹤的無人木星探測器赫利俄斯7號。回國后的工藤接到陪同開發公司調查隊前往塞吉歐島的工作，而塞吉歐島正位于赫利俄斯7號墜落地點的附近…… 另一方面，塞吉歐島突然出現巨大的怪獸，這一切似乎和赫利俄斯7號有關……