劇情簡介
澤子20多歲了,仍然住在父母家里,她喜歡拍攝并收集年長男性的照片。不知何故，她總是發現與年長男性交流更容易。當她最終愛上與她同齡的前同事時，她經歷了一種不同的情感覺醒，并發覺了一種內在的力量感。
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煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul一名美國青少女在學校慘遭霸凌，回擊的后果卻是被送到感化學校，不過這所「學校」實則更像一座監獄，她必須奮力抵抗心懷不軌的警衛和虎視眈眈的幫派，在這片龍蛇混雜之地殺出自己的生存之道……
馬騰你別走
林更新,李幼斌,宋茜,王彥霖,李雪琴,陳哈琳,馮雷,潘斌龍沒錢沒愛還沒心沒肺的馬騰（林更新 飾）人近中年一事無成，是旁人眼里公認的“廢柴”！鋼廠退休骨干老林（李幼斌 飾）遵守鐵打的紀律活了一輩子本該安享晚年，身體和心理卻雙雙“亮起紅燈”！本無生活交集的兩人因為一場歪打正著的護工面試相遇，展開了一段啼笑皆非的有趣互救。老林為求解脫，將“協助自殺”的希望寄托在這個不靠譜的護工身上。馬騰雖然想賺錢完成女兒的心愿，但無膽害命，只能發揮自己的樂觀心態在日常中提供情緒價值給老林。二人在一段特殊的旅途中建立起生死友誼，于病痛與死亡的陰影里找到了活下去的小小微光，攜手大膽迎接未知的生活。
布賴頓硬糖
薩姆·賴利,安德麗婭·賴斯伯勒,海倫·米倫,約翰·赫特,菲爾·戴維斯,儂索·阿諾斯,克雷格·帕金森,安迪·瑟金斯,西恩·哈里斯,杰夫·貝爾,史蒂文·羅伯特森,莫里斯·洛維斯,斯蒂夫·艾弗茨,Francis Magee,Adrian Schiller英國海濱小鎮布賴頓，凱特斯和卡林奧里兩大黑幫組織盤踞于此，互相角力，此消彼長。某夜，凱特斯被對頭當街殺害，視老大如親父的平基（Sam Riley 飾）目睹了兇案的全過程，于是想參與者之一的福瑞德（Sean Harris 飾）展開追殺。福瑞德雖死，卻留下一堆的麻煩，他生前為了躲避跟蹤曾某餐館女侍應生羅絲（Andrea Riseborough 飾），并與之留下合影。為了銷毀證據，平基開始接近這名單純的女孩，而羅絲也漸漸愛上了帥氣冷酷的平基。與此同時，凱特斯的死亡也讓布賴頓的黑幫勢力失衡，一方面卡林奧里迅速擴張，一方面本幫內部展開權力爭奪，平基深陷其中無法自拔…… 本片根據Graham Greene 的小說改編。
怪猴
西奧·詹姆斯,塔提阿娜·瑪斯拉尼,伊利亞·伍德,勞拉·門內爾,克里斯蒂安·康佛瑞,薩拉·萊維,羅漢·坎貝爾,科林·奧布萊恩,Corin Clark,奧斯古德·珀金斯,Danica Dreyer,Kingston Chan,Dianne Greenwood,齊亞·牛頓當雙胞胎兄弟哈爾和比爾在閣樓上發現父親的舊猴子玩具之后，他們周圍開始發生一系列可怕的死亡事件。兄弟倆決定把猴子扔掉，繼續他們的生活，但多年來卻越來越疏遠。但當神秘的死亡再次開始時，兄弟倆必須重新團結起來，找到一種方法來徹底消滅這只猴子，以免它奪走所有與他們親近的人的生命。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
落難女子
羅伯特·帕丁森,米婭·華希科沃斯卡,大衛·澤爾納,內森·澤爾納,羅伯特·福斯特影片被描述為“對西部題材充滿愛意的重塑”。帕丁森飾演的Samuel是一位富有的拓荒者，他冒險穿越邊境，為了與一生摯愛Penelope（米婭·華希科沃斯卡飾）成親。Samuel與一個酒鬼和一匹叫作“奶油糖果”的小型馬同行，然而簡單的旅程卻變得危險重重。
弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato在弗蘭肯斯坦怪物結婚的那天，村民們暴動并殺死了他。他的新娘逃跑了，發誓要報復負責的市民，并最終復活了怪物——在她身后留下了血跡。