情迷假期

★ 6.3 播放：68萬 更新：2026-04-23

勞倫特（文森·卡索暫無內容ent暫無內容Casse暫無內容飾）和安東尼（弗朗索瓦·克魯塞暫無內容Fran?ois暫無內容Cluzet暫無內容飾）是情同手足的好兄弟，近日里，兩人的感情生活都頗為不順，于是他們相約著帶上了各自的女兒羅娜（蘿拉·蘭暫無內容Lola暫無內容Le暫無內容Lann暫無內容飾）和瑪麗（愛麗絲·伊薩暫無內容Alice暫無內容Isaaz暫無內容飾），準備前往舒適愜意的海邊散散心。

在線播放

劇情簡介

勞倫特（文森·卡索暫無內容ent暫無內容Casse暫無內容飾）和安東尼（弗朗索瓦·克魯塞暫無內容Fran?ois暫無內容Cluzet暫無內容飾）是情同手足的好兄弟，近日里，兩人的感情生活都頗為不順，于是他們相約著帶上了各自的女兒羅娜（蘿拉·蘭暫無內容Lola暫無內容Le暫無內容Lann暫無內容飾）和瑪麗（愛麗絲·伊薩暫無內容Alice暫無內容Isaaz暫無內容飾），準備前往舒適愜意的海邊散散心。

導演精選

韓國制造的我

一位來自泰米爾納德邦小鎮的女子移居夢寐以求的韓國，卻難以在異國他鄉站穩腳跟。

壞媽媽

　　所有人都以為，艾米（米拉·庫妮絲 Mila Kunis 飾）擁有著幸福美滿的婚姻生活——恩愛的丈夫，乖巧的孩子，優渥的生活條件，但只有艾米自己知道，為了維系這看似光鮮的表象，她的內心早已經精疲力盡。丈夫把所有的家務事都一股腦的甩在她的頭上，在處理這些瑣事的同時，艾米還必須兼顧著去討好她周圍其他的媽媽們。　　終于有一天，艾米再也受不了她的生活了，她離開了家庭，拋棄了丈夫和孩子，帶著閨蜜琪琪（克里斯汀·貝爾 Kristen Bell 飾）和卡拉（凱瑟琳·哈恩 Kathryn Hahn 飾），兩名同樣受到生活瘋狂壓榨的家庭主婦，三人踏上了一條瘋狂的狂歡之路。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.