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小倩2024
邊江,張惠霖,陳張太康,張思王之,傅晨陽,盧力峰,孫睿揚,郭政建,林蘭,妶耳,錦鯉,張雨濛,白望文一影片改編自蒲松齡《聊齋志異》之《聶小倩》。小倩生前被人所負含恨而終，死后化為女鬼，被姥姥囚禁于蘭若寺。恰逢書生寧生進京趕考，借宿此地，意外救下小倩。逃亡途中，兩人不斷遭遇人間及地府勢力的阻撓，卻也在此般經歷中感情升溫。寧生帶著小倩感受了人間美好，小倩決心還陽，卻在到達鬼市后發現事情遠沒有這么簡單……
四人新世界
董驃,呂方,黃韻詩,吳雪雯,秦沛,吳啟華,邵國華飛叔移民到加拿大與兒子哈哈一起生活。在飛機上認識了一位來自大陸的黃艷秋，并有意撮合艷秋和哈哈，飛叔與艷秋的姨媽是一對歡喜冤家，艷秋和一個富家花花公子一起，哈哈很沮喪，飛叔鼓勵兒子向艷秋表白。哈哈買下一塊地，想轉頭賺錢，但買家臨時改變主意，令哈哈欠下一筆錢，飛叔、姨媽、哈哈、艷秋開始了四人新世界……
挑戰未來2：星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亞歷克斯失敗后過去了73年，人類也失去了半機械人的戰爭。從那時起，人類就被奴役了。科學家們已經開發出一種新的DNA毒株，這可能標志著Cyborgs的終結，并將其注射到志愿者身上。當生化機器人了解到這個女人和嬰兒時，他們都要終止。為了逃跑，她帶著一艘偷來的半機械人的船，在1980年回到了東非，在那里，母親被殺，但孩子得救了。這需要20年的時間，但半人半人的獵人星云最終找到了這個名叫亞歷克斯的女孩，并及時趕回來終結她的生命。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品