即刻觀影
劇情賞析
編輯推薦
魔鬼名校
Latkamon Pinrojkirati,Anchalee Saisoontorn,加圖蓬·丹古來Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.
瘋狂伊薩克
德芙·卡梅隆,RJ·米特,Austyn Knight,羅伯特·拉薩多,Gigi Gustin,Jay GiannoneISSAC is an intense psychological thriller which constantly treads the lines of reality and fiction. Issac, A young reclusive mortician who inherited his stepfather's mortuary business meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together. This film mixes a realistic story with surreal imagery, showing how one in isolation may operate due to the circumstances he has been given. Issac inevitably makes a choice and never questions the morality of his decisions.
約瑟夫·門格勒的消失
奧古斯特·迪赫,達娜·赫弗斯,布爾格哈特·克勞斯納,安東·利特維諾夫,海因茨·K·克拉蒂格,馬克西米利安·梅耶-布雷澤內德,Carlos Kaspar,阿麗娜·利特維諾娃,Tetiana Lytvynova,David Ruland,Rodrigo Costa Pereyra,Diana Stepanova,Santino Lucci,Ramiro Lucci本片聚焦臭名昭著的納粹醫生約瑟夫·門格勒的逃亡軌跡，從巴拉圭的藏身之所到最終遁入巴西叢林深處，再現這名"死亡天使"流亡南美的隱秘歲月。
西區故事
安塞爾·艾爾高特,瑞秋·齊格勒,阿麗亞娜·德博斯,大衛·阿爾瓦雷茨,邁克·費斯特,寇瑞·斯托爾,布萊恩·達西·詹姆斯,麗塔·莫雷諾,寇蒂斯·庫克,凱文·科索拉克,麥迪·齊格勒,朱利葉斯·盧比奧,杰米·哈里斯,阿蒂夫·拉尼爾,何塞·拉蒙·羅薩里奧,克麗絲·懷特赫德,凱爾·艾倫,塔莉婭·萊德,貝爾·邁克爾斯 ,哈維·埃文斯,戴維·比恩,凱爾·休斯,基思·勒克里德·哈里斯電影改編自1957年的百老匯音樂劇，講述了20世紀50年代紐約街頭的“噴氣機幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特 飾）和瑪麗亞（瑞秋·齊格勒 飾）的愛情。
黑暗殺機
亞歷山大·斯卡斯加德,麗莉·吉歐,詹姆斯·戴爾,杰弗里·懷特,梅肯·布萊爾,喬納森·懷特賽爾,詹姆斯·布魯爾,埃里克·李塞德,朱利安·布萊克·安蒂洛普,安娜貝爾·庫帖,巴布·米切爾杰弗里·懷特、亞歷山大·斯卡斯加德和詹姆斯·戴爾共同加盟新片[持有黑暗](Hold The Dark,暫譯)，由杰瑞米·索爾尼爾([綠色房間])執導。影片講述阿拉斯加偏遠地區出現野狼殺死孩子的事件，一位專家被派到這里調查，發現事件圍繞著一對神秘的夫妻展開。該片將于3月在加拿大亞伯達開拍。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster