米婭

2.5 播放：66萬(wàn) 更新：2026-04-25
主演：Aya Wolf Oriol Colomar 

Mia暫無(wú)內(nèi)容recounts暫無(wú)內(nèi)容her暫無(wú)內(nèi)容most暫無(wú)內(nèi)容intimate暫無(wú)內(nèi)容confessions,暫無(wú)內(nèi)容uncensored,暫無(wú)內(nèi)容in暫無(wú)內(nèi)容her暫無(wú)內(nèi)容first暫無(wú)內(nèi)容approach暫無(wú)內(nèi)容to暫無(wú)內(nèi)容a暫無(wú)內(nèi)容totally暫無(wú)內(nèi)容new暫無(wú)內(nèi)容world暫無(wú)內(nèi)容of暫無(wú)內(nèi)容domination暫無(wú)內(nèi)容and暫無(wú)內(nèi)容submission.

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詳細(xì)簡(jiǎn)介

Mia暫無(wú)內(nèi)容recounts暫無(wú)內(nèi)容her暫無(wú)內(nèi)容most暫無(wú)內(nèi)容intimate暫無(wú)內(nèi)容confessions,暫無(wú)內(nèi)容uncensored,暫無(wú)內(nèi)容in暫無(wú)內(nèi)容her暫無(wú)內(nèi)容first暫無(wú)內(nèi)容approach暫無(wú)內(nèi)容to暫無(wú)內(nèi)容a暫無(wú)內(nèi)容totally暫無(wú)內(nèi)容new暫無(wú)內(nèi)容world暫無(wú)內(nèi)容of暫無(wú)內(nèi)容domination暫無(wú)內(nèi)容and暫無(wú)內(nèi)容submission.

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家弒服務(wù)

西德尼·斯維尼,阿曼達(dá)·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬(wàn)·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達(dá)·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內(nèi)爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德

　　改編自芙蕾達(dá)·麥克法登的同名暢銷小說(shuō)。　　為生計(jì)掙扎的女子米莉（西德尼·斯維尼 Sydney Sweeney 飾）找到了一個(gè)新的開始，在一對(duì)看似完美且富有的夫妻妮娜（阿曼達(dá)·塞弗里德 Amanda Seyfried 飾）和安德魯（布蘭登·斯克萊納 Brandon Sklenar 飾）的家中做家政。然而，米莉很快發(fā)現(xiàn)一家人的秘密比自己的要危險(xiǎn)得多，這座豪宅背后上演著充滿秘辛、丑聞、權(quán)力誘惑的游戲。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

村“靚”了

陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿

　　該片講述了新時(shí)代，主人公陳建國(guó)回到家鄉(xiāng)，憑借創(chuàng)新精神和不懈努力，將曾經(jīng)“臟亂差”問(wèn)題突出的家鄉(xiāng)成功打造為遠(yuǎn)近聞名的民宿旅游村，不僅帶動(dòng)了鄉(xiāng)村經(jīng)濟(jì)的蓬勃發(fā)展，顯著改善了村民的生活環(huán)境，更是引領(lǐng)村民踏上了共同富裕的小康道路，深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔(dān)當(dāng)以及鄉(xiāng)村發(fā)展的巨大潛力。

全職

勞爾·卡拉米,安妮·蘇亞雷斯,杰納維夫·馬尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里爾·蓋伊,露西·加洛,Agathe Dronne,瑪?shù)贍柕隆ろf爾,Dana Fiaque,Mareme N'Diaye,奧利維爾·法利茲,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Kla?,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui

　　朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉(xiāng)下的兩個(gè)孩子。后來(lái)，她得到了一個(gè)期待已久的工作面試機(jī)會(huì)，但一場(chǎng)全國(guó)性的罷工爆發(fā)了，導(dǎo)致公共交通系統(tǒng)陷入癱瘓。一直以來(lái)，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發(fā)事件所打破。為了得償所愿，她冒著隨時(shí)都會(huì)碰壁乃至失去一切的風(fēng)險(xiǎn)，開始了一場(chǎng)與時(shí)間的瘋狂賽跑。

孤立無(wú)援

凱特琳·德弗,Ginger Cressman,扎克·杜哈梅,杰拉爾丁·辛格,Rose Bianca Grue,Dari Lynn Griffin,Elizabeth Kaluev,Evangeline Rose,Devyn Sandidge,Lauren L. Murray,John Cortes,娜塔莉·阿拉爾孔,Bridget Malbrough

　　一個(gè)被放逐的焦慮不安的居家者必須與一個(gè)進(jìn)入她家的外星人戰(zhàn)斗。