即刻觀影
劇情賞析
編輯推薦
唱歌的六個(gè)女人
竹野內(nèi)豐,山田孝之,水川麻美,アオイヤマダ,服部樹(shù)咲,萩原實(shí)里,桃果,武田玲奈,津田寬治,白川和子,竹中直人萱島(竹野內(nèi)豐)收到父親的訃告回到故鄉(xiāng)，從萱島的父親那里繼承土地的宇和島(山田孝之)與他一起，在山路上開(kāi)車(chē)行駛時(shí)遭遇了意外事故。兩人醒來(lái)時(shí)，發(fā)現(xiàn)自己身處森林深處，被六個(gè)美麗的女人監(jiān)禁著。
靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語(yǔ)喬前世將軍養(yǎng)女與兄長(zhǎng)因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛(ài)上舊人之子，在宿命糾葛下開(kāi)啟極致人妖虐戀。
外星精神病
Steve Baran,Jackson Berlin,Lee TomaschefskiRyan O'Neil是一位在戰(zhàn)斗中受傷后患有PTSD的退伍軍人，他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個(gè)腐敗的警察，她的丈夫一直在為這個(gè)國(guó)家服務(wù)，她一直在幫她。瑞恩和托尼從來(lái)都不喜歡對(duì)方，而托尼試圖干涉他們的婚姻，事情變得激烈起來(lái)。但是，當(dāng)瑞恩在夜晚開(kāi)始在他的房子里閃現(xiàn)出殺手，外星人和其他奇怪生物的閃光和幻影時(shí)，他不確定這是真的還是只在他腦海中。斯蒂芬妮已經(jīng)和瑞恩在一起，對(duì)丈夫的行為深表?yè)?dān)憂(yōu)。隨著歲月的流逝，瑞恩很快就會(huì)發(fā)現(xiàn)他的噩夢(mèng)在他身上縈繞著什么邪惡的存在。
一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克一位父親刑滿(mǎn)釋放后，試圖通過(guò)帶女兒參觀大學(xué)校園來(lái)修復(fù)父女關(guān)系。然而，當(dāng)一個(gè)兇殘的邪教開(kāi)始追殺他們時(shí)，兩人所要拼命守護(hù)的，早已不只是那段早已破碎的親情。
人工情報(bào)
趙寅成,樸正民,樸解浚,申世景韓國(guó)國(guó)情院特工趙科長(zhǎng)，奉命追查跨國(guó)犯罪集團(tuán)，循著犧牲情報(bào)員的線(xiàn)索前往俄羅斯符拉迪沃斯托克，意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報(bào)源蔡善花展開(kāi)博弈，卻同時(shí)被各自國(guó)家拋棄，被迫在忠誠(chéng)、背叛與生死之間，聯(lián)手揭開(kāi)邊境諜戰(zhàn)的驚天黑幕。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.