蒙帕納斯的布布

評分:9.4 播放:73萬 更新:2026-04-25

布布離開他在一家面包店工作,迫使他的女朋友去賣y-,并從此生活出來的錢,她做。這對年輕夫婦在尋找妓女和皮條客的世界自己的位置,但在他們的生活中缺乏的角度 - 這是永久無法治愈的致命性病感染的可能性困擾 - 與屈辱的女孩忍受他們的緊張關系,并導致沖突。   

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 瑪西,一位年輕女子,被一個面目猙獰的怪物擄走,這個怪物一心要把她當作自己的孩子撫養長大。

尼諾

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

黑神駒

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