做愛(ài)的魚

7.4 播放：42萬(wàn) 更新：2026-04-23

暫無(wú)內(nèi)容

播放通道

詳細(xì)簡(jiǎn)介

暫無(wú)內(nèi)容

同類推薦

終極囚禁

Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw

　　美國(guó)德州一所高中，以布萊德利（賈斯廷·阿諾德 Justin Arnold 飾）為首的一眾男女學(xué)生風(fēng)生水起，橫行霸道，經(jīng)常以欺負(fù)人為樂(lè)趣。印度裔學(xué)生萊比（Vincent Silochan 飾）、瘦小的戴恩（馬克·多納托 Marc Donato 飾）和有些內(nèi)向自閉的女孩艾米莉（林德賽·西德?tīng)?Lindsay Seidel 飾）等人更是他們優(yōu)先欺負(fù)的對(duì)象。學(xué)校的狀況已然如此，與親人的關(guān)系又分外冷淡和緊張，戴恩他們的生活看不到一點(diǎn)兒希望。　　8個(gè)月前，戴恩的叔叔去世，留給他一座偌大的農(nóng)場(chǎng)作遺產(chǎn)。飽受欺負(fù)且試圖自殺的他找到和自己同病相憐的幾個(gè)人，他們決定把學(xué)校的小霸王們請(qǐng)到舉行派對(duì)，在勁歌熱舞之中展開(kāi)準(zhǔn)備已久的血腥復(fù)仇……

少林俗家弟子

范冬雨,何晴,丁嵐,王赤,趙小銳

　　程家少爺程亦鵬（范冬雨 飾）癡迷武術(shù)，程父試圖用婚姻約束其行為，程亦鵬遂決定遠(yuǎn)上少林做俗家弟子，如此既可躲避習(xí)武力強(qiáng)的未婚妻小翠，又能學(xué)習(xí)少林功夫，在與心上人小晴（何晴 飾）話別后，亦鵬奔赴少林。然而師父恒德（趙小銳 飾）日日只是讓一班俗家弟子做苦工，不肯教授少林功夫，師兄弟們雖不滿卻也無(wú)可奈何，加之小晴在少林附近落腳，程亦鵬和師兄弟們學(xué)著用各種方法苦中作樂(lè)。曾經(jīng)被逐出少林的一游俠在遍訪名師后，意欲挑戰(zhàn)少林，以報(bào)當(dāng)年未學(xué)到武功之恨，程亦鵬等俗家弟子被游俠多次毆打，恒德欲同游俠較量反被方丈關(guān)入藏經(jīng)閣。程亦鵬經(jīng)過(guò)苦工打熬，終有習(xí)武資格，在恒德指點(diǎn)下向游俠一雪前恥……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

再一英里

瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev

前特種部隊(duì)隊(duì)員丹尼被迫重返一座偏遠(yuǎn)孤島。一個(gè)殘暴又隱秘的組織為了報(bào)復(fù)，綁架了他的女兒亞歷克斯，并布下天羅地網(wǎng)，對(duì)他展開(kāi)一場(chǎng)步步緊逼、針對(duì)他所有行動(dòng)都早有準(zhǔn)備的殘酷獵殺。

演員龜岡拓次

安田顯,麻生久美子,宇野祥平,新井浩文,染谷將太,淺香航大,杉田薰,工藤夕貴,三田佳子,山崎努

　　演員龜岡拓次（安田顯），37歲、單身。作為演員，無(wú)論是配角還是什么角色都能出色演出，但是，人們卻怎么也記住不到他的名字。每一天的日常就是便宜的酒館里喝酒。直到有一天，收到了世界大物的甄選……