關于她的五段情事
Five Hot Stories for Her五個熱門故事:收錄了5個短電影:專門為女xing和伴侶。Erika提出了五種現(xiàn)代城市,辛辣和色情故事具有自然、真實xing。 在M的一名足球運動員的妻子陰謀背叛自己的一個精巧的和制造xing的報復。 一些關于NADIA隔行三名婦女的故事體現(xiàn)祂們無法操縱的愿望奇異而迷人的納迪亞。 結婚生子介紹弗蘭克和麗塔已結婚八年來,有兩個年幼的孩子,并通過所有賬戶都厭倦了祂們的婚姻,厭倦了對方。但祂們是什么隱秘隱藏嗎? 在分手xing兩個侽同xing戀者在最后一次見面的xing接觸 一個高xing能的exec花許多時間考慮xing卻取決于她的欲望,從不需要主動 hellip;直到現(xiàn)在。 五對都市人的xing欲現(xiàn)實電影,有未婚情侶。夫妻。同xing戀.青年中年
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古川琴音,松大航也,橋本和雄殺人漫畫
嚴基俊,李施吟,金顯祐,吳光祿養(yǎng)鬼吃人2
Clare Higgins,Ashley Laurence,Kenneth Cranham,Imogen Boorman,Doug Bradley沒女神探
王菀之,周柏豪 ,陳嘉寶,莊鍶敏,連詩雅,李靜儀,林盛斌,鄭敬基,鄭欣宜,蔣志光第18朵玫瑰
尼基·瓦爾迪茲,克里斯·維拉努瓦,Yayo Aguila,蔡·科爾特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas年獸
陳創(chuàng),姜彭,呂妍,於薇妮,杜星奇,劉霖,鄭龍同類推薦
下女1960
金振奎,朱曾女,李恩心,嚴鶯蘭某紡織廠的音樂部教師東植對錦川發(fā)生的一起殺人事件表示出極大的興趣。 某天,東植從女工郭善英處收到一封情書,并向舍監(jiān)告發(fā),善英被工廠開除。曾鼓勵善英寫信的朋友趙慶熙借著鋼琴輔導的契機開始出入東植家。為了貼補家計,東植妻子做了很多裁縫活兒,身體越來越虛弱。東植委托慶熙尋找到一名合適的下女,幫助持家。妻子懷孕回娘家的當下,慶熙借機向東植表達了愛意,卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機誘惑東植,并與之發(fā)生了肉體關系。三個月后,下女懷孕。東植的妻子知道真相后,將下女推下樓梯,導致流產。失去孩子的下女怒火中燒,性情開始變得暴烈。結果,下女將東植夫婦倆的孩子也推下樓梯,藏了起來。下女以向工廠曝光所有事實相要挾。為了保住整個家庭,東植將二層的房間讓給下女。最后,準備和下女一起吃耗子藥自殺的東植看到死在臺階上的下女,毅然拋棄了她,重新回到了妻子身邊。這時,電影畫面再次回到東植夫婦看著有關那起殺人新聞的畫面,東植不禁說道:這樣的事情有可能發(fā)生在任何一個人的身上。
海底兩百里
沃爾特·皮金,瓊·芳登,芭芭拉·伊登,彼得·洛,羅伯特·斯特靈美國海軍上校尼爾遜(沃爾特皮金飾)領導潛艇海景號在北極下探測時,地球突生危機,大氣層被一股大火燃燒,令地球極速升溫,地球上干旱無雨,頓誠人間煉獄。科學家主張紛歧,尼爾遜決定由海景號發(fā)射核子飛彈,讓其在大氣層外爆炸以期熄滅大火,令地球降溫。為求能夠快速解決這個問題,尼爾遜毅然由船員自愿選擇是留在船上還是繼續(xù)前進,但是在全世界都沒有辦法的情況下,只有聽命于尼爾遜的這個計劃了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經 25周年特別篇
稻垣吾郎,香取慎吾,森七菜,山內健司,坂口憲二,生見愛瑠,門脅麥,山口紗彌加,豐島花,布施繪里
留低你個死人頭
William Baldwin,安琪拉·瓊斯蓋布麗(安琪拉·瓊斯 Angela Jones 飾)的童年里有一段非常可怕的經歷,年幼的她曾經在兇殺現(xiàn)場親眼目睹死尸。這一段奇異的人生經歷讓蓋布麗開始對尸體和死亡產生了好奇之心,這股子好奇隨著她年齡的增大越發(fā)強烈起來,蓋布麗甚至會特意的收藏報紙上的謀殺新聞做成剪報冊,時時翻閱溫習。 邁阿密接連發(fā)生兇殺案,被害者均是養(yǎng)尊處優(yōu)的闊太太,而且無不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意,為了能夠更加接近命案現(xiàn)場,蓋布麗來到了一間專門清理命案現(xiàn)場的保潔公司應聘成為了員工,并且在機緣巧合之下同連環(huán)殺人犯(威廉·鮑德溫 William Baldwin 飾)有了一面之緣。