即刻觀影
劇情賞析
編輯推薦
競時出擊
王韜,魏小歡,江佳桐,李江瑤刑警沈佳明、吳艷和康業(yè)在破獲一宗跨國重案后，卷入一系列離奇命案。首名死者孫成剛車禍身亡疑點重重，隨后女子孔思思也遭遇不測。警方發(fā)現(xiàn)兩名受害者均與醫(yī)院器官捐獻系統(tǒng)存在關(guān)聯(lián)，而醫(yī)院器官捐獻協(xié)調(diào)員糜芳、醫(yī)生馬玉茹以及等待器官移植的羅永軍兄妹皆被卷入漩渦。就在刑警們分頭追兇時，第三名潛在受害者已危在旦夕。吳艷與時間賽跑，阻止了一場高空謀殺，卻發(fā)現(xiàn)真兇竟藏于最意想不到的身邊。
第九區(qū)
沙爾托·科普雷,詹森·庫伯,娜塔莉·博爾特,茜爾雯·斯特賴克,約翰·薩莫爾,威廉·艾倫·揚,尼克·布雷克,杰德·布羅菲,路易斯·米納爾,瓦妮莎·海伍德,瑪麗安·胡曼,維多利奧·萊奧納迪,曼德拉·加杜卡,約翰·范·肖爾,斯特拉·斯廷坎普,戴維·詹姆斯,肯尼思·恩科西,蒂姆·戈登,莫爾內(nèi)·埃拉斯姆斯,尤金·孔巴尼瓦,赫棱基維·馬德拉拉,西雅邦加·拉德貝,梅爾特·西貝爾哈亨,安德勒·奧登達爾,尼克·伯萊尼,羅伯特·霍布斯1990年，一艘巨大的飛船出現(xiàn)在地球上空，人們惶恐不安，卻又分外好奇。經(jīng)過一段時間緊張的等待，外星飛船始終沒有動靜。人類終于小心翼翼靠近它，強行走進艙內(nèi)，結(jié)果發(fā)現(xiàn)了不計其數(shù)的外星人。他們形容丑陋，宛如蝦子，而且健康狀況極差，虛弱無力。原來這是一群來自外星的難民，他們最終被地球人接納，并隔離在南非約翰內(nèi)斯堡的一片區(qū)域內(nèi)生活，此地名為“第九區(qū)”。經(jīng)過長達20年的繁衍，外星難民的數(shù)量擴張至180萬之多，且和周邊人類的矛盾沖突不斷，越來越多的人類呼吁將“大蝦”趕出地球。 MNU（列國同盟組織）經(jīng)過磋商，決定將外星難民遷移到更為偏遠的區(qū)域。MNU外星事務(wù)部門的特工威庫斯（Sharlto Copley 飾）專門負責搬遷工作。威庫斯在動員過程中傲慢隨意，與當?shù)鼐用駴_突頻頻。最終，他為自己的行為付出代價，外星人的神秘流體將其感染，威庫斯慢慢變成了外星人的模樣……
阿坎達2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯(lián)系，因為社區(qū)正在努力取得進步。 ?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????
騙局2024
Dean Edwards,T.L. Flint,Aaron Berg一個自私自戀狂和他囊中羞澀的摯友雇傭了一名腐敗的公證人來欺騙他疏遠的兄弟。公證人在一場意外事故中死亡后，他們精心策劃的計劃就失敗了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.