回到初相戀
當他們的兒子Esben離開時，Kjeld和Vibeke決定搬遷到一個較小的房子。 他們發現，當他們還是學生時，他們住在那里的公寓正在出shou，并同意購買并重新開始。 Kjeld按照當時的裝修方式提供公寓，有一段時間，兩人重溫了他們甜蜜的青春歲月。 但是，當他們一天早上醒來，發現他們實際上已經年輕三十歲時，事件發生了轉變。
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猿山異聞錄
袁福福,王培祎,王青,王純,邵峰,付宏聲,盧勇,何承熹,宋建霖據傳聞，古時候有座山叫猿猴山，猿猴山有一國，名為猿國。猿國有一罕見白猿，猿國尊護白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會再庇護猿國了，國主才會久病不起，導致猿國上下人心惶惶。為了穩定民心，猿國國主請求太極村掌門延一道人幫助猿國調查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國協助，探尋背后真相。
我是臥底2026
鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清影片講述了反扒民警霍濤接受組織任務，經過嚴格訓練和對犯罪集團深入的背景調查后，偽裝混跡扒手群中，建立可信身份后成為打入扒手集團內部，與貝爺斗智斗勇，與貝爺偽裝的小飛互相試探，最終在和局長司徒強的緊密配合下，幾經波折，逐步瓦解盜竊團伙，道盡各色警匪人物的故事。
第六感1999
布魯斯·威利斯,海利·喬·奧斯蒙,托妮·科萊特,奧莉維亞·威廉姆斯,唐尼·沃爾伯格,特拉沃·摩根,彼得·安東尼·唐伯蒂斯,格倫·菲茨杰拉德,米莎·巴頓,Lisa Summerour,法爾德斯·巴姆,杰弗里·澤布尼斯麥克（布魯斯·威利斯 飾）是著名兒童心理學家，卻也有始終未能治愈的患者，甚至因此遭到槍擊，這名少年隨后也飲槍自斃。這給麥克帶來很大心理陰影，一年后他找到另一個癥狀很像這名患者的男孩柯爾（海利·喬·奧斯蒙 飾），并耐心的做起了他的醫生。柯爾并不容易接近，但麥克還是慢慢贏得 了他的信任，得知了柯爾的秘密。原來柯爾有著靈異的第六感，可以看到鬼魂。雖然這令人感到難以置信，但麥克在證實了事情的真相后還是幫助柯爾接受了這個事實。可是就在問題即將得到解決的時候，麥克卻在柯爾的引導下，發現了一個更令人震驚的秘密……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
奇幻之家
趙文琪,李琦,斯琴高娃,顏勤,徐日東升,宋祉璇,來喜,天賜,張明明,孟繁淼,馬國芯,吳一熳,徐日光耀,張韶潔,趙溦,宋牧晨,王慶峰,李時雨,孫悅一支家庭樂隊，其中心是熱愛唱歌的年輕人張寓哲（徐日東升 飾），他與父親張皓（李琦 飾）爺爺張宏民（顏勤 飾）一同準備參加家庭才藝大賽。然而，一場意外的奇怪風暴卻改變了一切，在前往濟南的比賽途中，他們遭遇了閃電雷擊，引發了一次離奇的身體互換。這場突如其來的變化將他們卷入了一系列驚險和尷尬的境地，需要他們適應對方的生活和角色。與此同時，單身母親李芳玲（趙文琪 飾）和她的女兒李藍藍（宋祉璇 飾）也在前往同一家庭樂隊大賽。兩個家庭在奇怪的巧合下相遇，他們決定將這個突如其來的情況變為機遇，臨時合并成一個全新的家庭樂隊。這個組合的形成不僅是音樂的融合，更是情感、人際關系和親情的交織。
坐白車的女人
鄭麗媛此劇是以三位女人為中心展開的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血，打開案件中心的主人公都京一角，她比誰都隱藏著沉重的秘密。