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劇情簡介
一位科學家找到一個強大的性工件在埃及墓后,他失去了它和風追逐向好萊塢和夏威夷。一路走來,它為每個人接觸到的創建功能強大的性經驗。
同類好片
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝角落小伙伴:天空王國與兩位小伙伴
井之原快彥,本上真奈美密室綁架
杰拉·哈斯,克雷蒙斯·施伊克,馬克斯·馮·德·格羅本阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth日掛中天
辛芷蕾,張頌文,馮紹峰,薛媛媛,喬琳凱ST紅與白的搜查檔案電影版
藤原龍也,蘆名星,岡田將生,志田未來,瀨戶朝香,渡部篤郎,洼田正孝,林遣都,水上劍星,三宅弘城,柴本幸,田中哲司人氣佳作
圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir沒有面孔的眼睛
皮埃爾·布拉瑟,愛迪絲·斯考博,阿莉達·瓦利,朱麗葉特·麥涅勒,亞歷山大·里尼奧,貝亞特麗斯·阿爾塔里巴,夏爾·布拉韋特,克洛德·布拉瑟,米歇爾·埃切韋里,伊薇特·埃蒂耶旺,勒內·熱南,呂西安·于貝爾,馬塞爾·佩雷斯,弗朗索瓦·介朗致我的青春
Theo Camillo Taslim,Fendy Chow,Agus Wibowo復仇女孩
貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內特·瓦雷導演精選
猩球崛起:新世界
故事設定在“猿流感”病毒蔓延全球的背景下,人類幾近毀滅,而進化為高級智慧生物的猿類一躍成為食物鏈頂端的王者。時移世異,暴虐的猿類首領賽撒(凱文·杜蘭 Kevin Durand 飾)在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起,這是世界新秩序誕生的黎明時分。神秘的人類女孩諾娃(弗蕾婭·艾倫 Freya Allan 飾)的出現,引起了賽撒的警覺。她似乎掌握著一個巨大的秘密,不僅關乎人類的存亡,甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中,與青年猿類諾亞(歐文·泰格 Owen Teague 飾)的命運交匯,揭開了一段冒險的旅程。
午夜微博
夜深人靜,荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險,并全程微博直播。他們為自己的無知和膽大妄為付出巨大代價,最終一死一瘋,另外兩人昏迷不醒,還有一人下落不明。美麗女記者蕭薇(鄧紫衣 飾)的妹妹霈霈及其朋友子妍正是這場意外的受害者,從醫生口中得知,妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康(唐禹哲 飾)調查后發現,霈霈她們前幾日都曾被某神秘微博帳戶@,之后在她們微博中便各自出現一個倒計時的畫面,而業已歸零的正是當前的死者子妍。 絕不相信鬼神傳說的蕭薇,決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查,恐怖真相慢慢浮出水面……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster