惡魔的教育
19世紀波蘭某偏僻的小村莊里，生活著一個天真無邪、快樂美麗的女孩歌茜婭（Renata Dancewicz 飾）。她每天負責放牧、擠奶，周而復始，一成不變。 夏日的一天，歌茜婭空暇之時褪去衣衫，走入池塘洗澡。她曼妙的身姿和清純的氣息引起了一個黑衣路人（Marek Kondrat 馬里克 bull;肯德蘭特 飾）的關注。第二天黑衣人再次來到河邊，一筆一筆將歌茜婭優(yōu)美的曲線留在了紙上。不久后兩人熟捻，交談之余黑衣人拿出前幾天的畫作。看到自己L體的歌茜婭起初羞愧萬分，但在黑衣人的引誘下，她開始重新認識自己的身體，體味到莫大的喜悅和樂趣 hellip; hellip;
在線播放
劇情簡介
19世紀波蘭某偏僻的小村莊里，生活著一個天真無邪、快樂美麗的女孩歌茜婭（Renata Dancewicz 飾）。她每天負責放牧、擠奶，周而復始，一成不變。 夏日的一天，歌茜婭空暇之時褪去衣衫，走入池塘洗澡。她曼妙的身姿和清純的氣息引起了一個黑衣路人（Marek Kondrat 馬里克 bull;肯德蘭特 飾）的關注。第二天黑衣人再次來到河邊，一筆一筆將歌茜婭優(yōu)美的曲線留在了紙上。不久后兩人熟捻，交談之余黑衣人拿出前幾天的畫作。看到自己L體的歌茜婭起初羞愧萬分，但在黑衣人的引誘下，她開始重新認識自己的身體，體味到莫大的喜悅和樂趣 hellip; hellip;
人氣佳作
謊言與偷竊
艾米麗·拉塔科斯基,西奧·詹姆斯,弗雷德·邁拉麥德,艾邦·摩斯-巴克拉赫,小伊塞亞·維特洛克,伊萬·漢德勒,約翰·蓋汀斯那個人在想什么事情
John Price,Preben Neergaard,Lotte TarpKING OF PRISM -Your Endless Call- 大～家一起閃耀！PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒導演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
本能反應
鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專門研究黑猩猩的人類學家，他在盧旺達長期觀察觀察當?shù)睾谛尚傻幕顒印Ｈ欢鴥赡昵埃@位性情溫和的學者突然性情大變，殺了兩位當?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關押在美國高度戒嚴的精神病監(jiān)獄。 年輕的精神病專家卡爾特（小庫珀?古丁 Cuba Gooding 飾）意圖揭開鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進行對話。鮑威爾一開始對這位訪客充滿敵意，身為人類學家的他在卡爾特面前一點也不落下風。隨著對話的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實是偷獵大猩猩的惡棍……
七月寒潮
出于自衛(wèi)，理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報復。然而不久，敵對雙方就發(fā)現(xiàn)事實并不像表面展現(xiàn)的那么簡單，他們不得不聯(lián)合起來面對黑暗的真相。