肉體的呼喚

　　安吉拉（珍妮·蓋諾 Janet Gaynor 飾）的母親身患重病，急需藥物進行治療。生活在窮困潦倒之中的安吉拉無奈之下只能行竊救命，她的舉動自然遭到了警方的通緝和追捕，安吉拉就此踏上了逃亡的旅途。　　途中，安吉拉來到了一個馬戲團之中，隱姓埋名成為了其中的一名演員，這正好幫助她拜托了警方的糾纏。在馬戲團中，安吉拉邂逅了名為基諾（查爾斯·法萊爾 Charles Farrell 飾）的年輕畫家。基諾雖然有著一身的才華卻依舊只是一個名不見經傳的無名畫家，安吉拉的出現激發了他的靈感，幫助他取得了事業上的成就，墜入愛河的兩人決定結婚，但在婚禮舉行之際，警方還是發現了安吉拉的蹤跡。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　跟隨一位被部落放逐的年輕鐵血戰士，深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里，他將與維蘭德-湯谷公司制造的仿生人希雅（Thia）意外結盟，這位僅存上半身的仿生人，將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉，一步行差踏錯即刻墜入無可挽回的深淵，唯有浴血廝殺，才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰士的狩獵法則——生存并非勝利的終點，而是通往更殘酷考驗的開始。

四名前西班牙特工在全球不同地點同時遇刺。西班牙國家情報中心發現，數十年前他們都在哥倫比亞參與了秘密的謝納加行動。西班牙國家情報中心最出色的特工澤塔必須追查并保護唯一的幸存者，這將是他迄今為止最危險的全球任務。哥倫比亞頂級特工阿爾法將與澤塔并肩行動，而她似乎比他更了解謝納加行動背后的秘密。