卡薩諾瓦

★ 9.1 播放：69萬(wàn) 更新：2026-04-29

意大利導(dǎo)演費(fèi)德里克．費(fèi)里尼的中期經(jīng)典作《八部半》是其成熟高峰期作品，此后開始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《愛情神話》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀(jì)基督道德不振后的上流腐化放縱，費(fèi)里尼盡情借題發(fā)揮，展現(xiàn)出精英文藝在人欲暫無(wú)內(nèi)容橫流下的腐爛情態(tài)。大情人卡薩諾華是在情場(chǎng)屢戰(zhàn)屢勝的“性斗士"，不斷獵艷，還參加造愛競(jìng)賽。但這大情人苦于人人只重他的性愛能力，不重視他經(jīng)世濟(jì)民治國(guó)的才學(xué)。而且女人們對(duì)他都“有性無(wú)愛"，當(dāng)他衰老得失去性魅力之后，就只能把一個(gè)機(jī)械女人當(dāng)作夢(mèng)中情人，很可悲可憐。

在線播放

劇情簡(jiǎn)介

意大利導(dǎo)演費(fèi)德里克．費(fèi)里尼的中期經(jīng)典作《八部半》是其成熟高峰期作品，此后開始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《愛情神話》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀(jì)基督道德不振后的上流腐化放縱，費(fèi)里尼盡情借題發(fā)揮，展現(xiàn)出精英文藝在人欲暫無(wú)內(nèi)容橫流下的腐爛情態(tài)。大情人卡薩諾華是在情場(chǎng)屢戰(zhàn)屢勝的“性斗士"，不斷獵艷，還參加造愛競(jìng)賽。但這大情人苦于人人只重他的性愛能力，不重視他經(jīng)世濟(jì)民治國(guó)的才學(xué)。而且女人們對(duì)他都“有性無(wú)愛"，當(dāng)他衰老得失去性魅力之后，就只能把一個(gè)機(jī)械女人當(dāng)作夢(mèng)中情人，很可悲可憐。

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

觸碰我

一對(duì)互相捆綁的摯友，在生活崩塌之際，遇見了自稱能治愈一切創(chuàng)傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮，瞬間撫平焦慮與抑郁，卻在溫柔面具下藏著外星掠食者的獠牙。當(dāng)兩人受邀前往他的偏遠(yuǎn)莊園，這場(chǎng)“療愈之旅”徹底失控：觸手、血案、精神操控，一場(chǎng)以愛為名的寄生，正在吞噬他們的靈魂與世界。

哪吒鬧海

 商末時(shí)期，陳塘關(guān)總兵李靖的夫人懷胎3年6個(gè)月，最終生下一個(gè)肉球，肉球中跳出一個(gè)伶俐可愛的男孩。李靖原當(dāng)他是妖孽欲殺之而后快，幸太乙真人前來(lái)收之為徒，賜名哪吒，并賜以乾坤圈和混天綾兩件寶貝。某年，天下大旱，甘露未降。哪吒和家將到東海洗澡玩耍。他用混天綾攪動(dòng)海水，撼動(dòng)龍宮，惹出巡海夜叉李艮和龍王三太子敖丙。幾番言語(yǔ)不和，哪吒殺此二人，由此闖下通天大禍。四海龍王齊聚陳塘關(guān)索命，為救一方百姓，哪吒決定交出生命……本片根據(jù)《封神演義》故事改編，并榮獲1980年電影百花獎(jiǎng)最佳美術(shù)片獎(jiǎng)；文化部1979年優(yōu)秀影片獎(jiǎng)、青年優(yōu)秀創(chuàng)作獎(jiǎng)；1983年菲律賓馬尼拉國(guó)際電影節(jié)特別獎(jiǎng)；1988年法國(guó)布爾波拉斯文化俱樂(lè)部青年國(guó)際動(dòng)畫電影節(jié)評(píng)委獎(jiǎng)和寬銀幕長(zhǎng)動(dòng)畫片獎(jiǎng)。