美杜莎之筏
這是一部非常不錯的超現實主義電影。 但也對的時候，勇敢的先鋒guarde藝術家試圖探索人類可能性的未知的風景完全現實的故事。 兩個現實之間的對比：在貧困村和顯示的達達主義藝術家是非常聰明的，帶來了藝術改變世界的可能性。 不幸的是，讓世界更好地揭示想象力的新領域，即在第一個二十世紀上半葉統治的進步理想，被戰爭粉碎。 而且，悲劇結束：理想的藝術是死的，國際的兄弟也是藝術，但真正的災難：南斯拉夫也死了，作為一個國家，但國家的兄弟情誼的藝術視野，也。 所以，藝術分崩離析
劇情簡介
這是一部非常不錯的超現實主義電影。 但也對的時候，勇敢的先鋒guarde藝術家試圖探索人類可能性的未知的風景完全現實的故事。 兩個現實之間的對比：在貧困村和顯示的達達主義藝術家是非常聰明的，帶來了藝術改變世界的可能性。 不幸的是，讓世界更好地揭示想象力的新領域，即在第一個二十世紀上半葉統治的進步理想，被戰爭粉碎。 而且，悲劇結束：理想的藝術是死的，國際的兄弟也是藝術，但真正的災難：南斯拉夫也死了，作為一個國家，但國家的兄弟情誼的藝術視野，也。 所以，藝術分崩離析
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取款機殺人夜
愛麗絲·伊芙,喬希·佩克,布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森一年一度的圣誕佳節終于到來，在狂歡派對上，投資公司職員大衛（布瑞恩·杰拉夫迪 Brian Geraghty 飾）終于鼓起勇氣向剛剛辭職的美麗女職員艾蜜莉（艾麗絲·伊芙 Alice Eve 飾）搭話，聚會中途，二人驅車和他們的朋友科瑞（喬什·派克 Josh Peck 飾）一同返回。此時已近深夜，希望買點兒什么吃的的三個人進入某自動提款機服務站取錢，可是正待出門時卻發現一個神秘陰森的身影站在外面，后者更在眾目睽睽之下殺了一個陌生的流浪漢。 大衛等人就這樣被困在方寸之間，看似隨機的襲擊事件，一切似乎又盡在神秘之人的掌控之中，他們最終能否逃脫？還是成為恐怖襲擊者的犧牲品？
反防御
莉諾·贊,莫里·柴金Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.
動物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.
時間浪人之愛你一大跳
艾倫,林佳陵,黃妮娜,郭祥鵬,陳姝,苗馳,紀陽木該片劇情主要講述了一個現代花花公子楚留香每天周旋于多個情人之間，某天意外被情人們發現后將他扔下懸崖，等他醒來時發現自己竟離奇穿越到古代，并且被將軍府千金杜鵑兒帶回去做家丁，而更加不可思議的是，他發現杜鵑兒竟然也是從現代穿越來的，隨后兩人就發生了一段“山路十八彎，蕩氣回腸”的另類穿越愛情故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
烏鴉2024
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