美國啦啦隊

8.7 播放:51萬 更新:2026-04-22

英文名:H.O.T.S. (1979),這是在其所有的榮耀赤裸上身臭名昭著的高層次思維。關于傲慢和熱聯誼會由女孩誰形成自己的姐妹會隨著競爭的可愛,大露背的棄兒女孩追逐的樂趣80的大學輕彈。很多赤裸上身游泳,毛巾打架,火爆的場面與男孩,以及校園惡作劇。前凸后翹的和大量的幽默。最終,女孩解決他們之間的分歧在一場比賽中帶鋼的足球。   

即刻觀影

劇情賞析

英文名:H.O.T.S. (1979),這是在其所有的榮耀赤裸上身臭名昭著的高層次思維。關于傲慢和熱聯誼會由女孩誰形成自己的姐妹會隨著競爭的可愛,大露背的棄兒女孩追逐的樂趣80的大學輕彈。很多赤裸上身游泳,毛巾打架,火爆的場面與男孩,以及校園惡作劇。前凸后翹的和大量的幽默。最終,女孩解決他們之間的分歧在一場比賽中帶鋼的足球。   

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大器晚成2023

凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德

凱倫·吉蘭、瑪格麗特·蘇菲·斯坦、杰梅因·福勒、凱文·尼倫、塔利亞·巴爾薩姆將主演喜劇新片《大器晚成》(Late Bloomers),麗莎·斯蒂恩首導劇情長片,已在紐約殺青。                                                                        斯蒂恩的多部短片搭檔安娜·格林菲爾德寫劇本,松散基于她20多歲時居住在布魯克林的經歷,講述露易絲(吉蘭)是一個漫無目的的千禧一代,某天她醉醺醺地摔到了臀部,為此接受了物理治療,在那里結識了一位不會說英語的年長波蘭女士,兩人成為了閨蜜。而正是這種不太可能的友誼讓露易絲有勇氣面對她一直在逃避的事情:她母親的早發性老年癡呆癥。                                                                        福勒飾演露易絲的室友/房東布里克,尼倫和巴爾薩姆飾演露易絲的父母。

恩典

托尼·塞爾維洛,安娜·費澤蒂,奧蘭多·辛克,馬西莫·文圖列洛,米爾維亞·馬里利亞諾,朱塞佩·蓋亞尼,喬瓦娜·圭達,阿萊西亞·朱利安尼,羅伯托·齊貝蒂,Vasco Mirandola,Linda Messerklinger,Rufin Doh Zeyenouin,Simone Colombari,Alexandra Gottschlich,Lucio Zagaria,Francesco Martino,Tommaso Amadio,Guè Pequeno,Shablo,Fabrizio Bordignon

 馬里亞諾·德·桑蒂斯是意大利共和國總統。此人與現實中的任何總統均無關聯,完全是作者虛構的人物。他喪偶多年,且信奉天主教,有一個女兒名叫多羅泰亞——和他一樣,女兒也是一名法律學者。任期即將結束之際,在波瀾不驚的日常中,兩項最后的職責擺在了他面前:就兩份敏感的總統特赦申請做出決定。這些抉擇構成了真正的道德困境,并且以看似無法理清的方式,與他的私人生活糾纏在了一起。在疑慮的驅使下,他必須做出抉擇。而這位杰出的意大利總統,懷著強烈的責任感,必將履行這份職責。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

七月寒潮

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  出于自衛,理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報復。然而不久,敵對雙方就發現事實并不像表面展現的那么簡單,他們不得不聯合起來面對黑暗的真相。

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