茅山斗降頭色降
傅玉書(吳剛暫無內容是)是豪門之子,三代單傳,身世和地位十分顯赫,他出國深造,最終學成歸來,還帶來了名為白綾(西協美智子暫無內容飾)的同學,兩人情投意合,準備步入婚姻的殿堂。葉紅(曾小燕暫無內容飾)是傅玉書曾經的青梅竹馬,知道傅玉書的為人和其家世,一直希望能夠嫁入豪門做個闊太太,此次得知傅玉書歸來,特地精心打扮,想要給對方留下深刻的印象。暫無內容nbsp;暫無內容 葉紅和母親一起來到了傅玉書家,看到了白綾,葉紅的母親敏感的察覺到傅玉書和白綾之間的關系十分親密,再加上傅玉書對葉紅的態度明顯冷淡,女兒和豪門之子的這門婚事算是泡湯了。葉紅的母親一直希望能夠利用傅玉書的財力和名利重振葉家敗落的家道,為此不惜借助歪門邪道之力,最終釀成了悲劇。
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安昂傳奇:最后的氣宗
戴夫·巴蒂斯塔,史蒂文·元,關繼威,杰西卡·馬滕,塔伊加·維迪提,迪·布萊德利·貝克,杰拉爾丁·維斯瓦納坦,羅曼·薩拉戈薩,芙蕾達·平托,南允道,佩塔·薩金特,Dionne Quan派拉蒙和尼克宣布“降世神通”系列開發三部新的電影,仍是動畫形式。第一部由《降世神通:最后的氣宗》導演Lauren Montgomery執導,《最后的氣宗》主創Bryan Konietzko和Michael DiMartino擔任制片人。
基努貓
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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