不夜天 (1987)

★ 2.9 播放：93萬(wàn) 更新：2026-04-27

賭王之子羅子峰愛(ài)上不夜天的歌女阿秋，某晚，峰目睹父親被復(fù)仇者閻立山挫敗，逼死于樓閣。秋因救走峰，遭閻下毒手。峰流落他鄉(xiāng)，變成打假拳的拳手，一天他遇到前不夜天的前任老板、父親的好友洪叔叔，重燃對(duì)抗自信……

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賭王之子羅子峰愛(ài)上不夜天的歌女阿秋，某晚，峰目睹父親被復(fù)仇者閻立山挫敗，逼死于樓閣。秋因救走峰，遭閻下毒手。峰流落他鄉(xiāng)，變成打假拳的拳手，一天他遇到前不夜天的前任老板、父親的好友洪叔叔，重燃對(duì)抗自信……

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新凱旋門

1982年，法國(guó)總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項(xiàng)目——拉德芳斯大拱門發(fā)起一場(chǎng)國(guó)際建筑競(jìng)賽，該項(xiàng)目與盧浮宮和凱旋門對(duì)齊。出乎所有人意料，一位在法國(guó)鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競(jìng)賽。這位建筑師打算完全按照自己的設(shè)想建造大拱門，但他的理念很快與實(shí)際限制和政治變幻莫測(cè)相沖突。這部電影以真實(shí)事件為靈感，講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術(shù)自由的限制下實(shí)現(xiàn)其宏偉愿景的故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

舉起手來(lái)2：追擊阿多丸號(hào)

　　1945年，第二次世界大戰(zhàn)接近尾聲，軸心國(guó)已成強(qiáng)弩之末，敗局已定。許多戰(zhàn)爭(zhēng)中被俘虜?shù)娜毡臼勘?jīng)過(guò)改造后，陸續(xù)踏上回國(guó)的旅途，這其中便包括羅圈腿中村下等兵（潘長(zhǎng)江 飾）。然而，即使在這垂死關(guān)頭，帝國(guó)主義的貪婪仍舊沒(méi)有收斂。輪椅太君（胡曉光 飾）傷愈出院，親自負(fù)責(zé)指揮戰(zhàn)艦阿多丸運(yùn)送傷兵回國(guó)的重任，但是阿多丸還有一個(gè)秘密任務(wù)，那就是將從中國(guó)劫掠來(lái)的文物偷運(yùn)出境。這個(gè)秘密被小劉（劉小微 飾）的父親——一個(gè)文物老專家所得知，他掌握著所有文物的清單，也因此遭到日寇的追殺。臨死之際，老教授將藏有清單的可樂(lè)瓶交給擔(dān)任聯(lián)絡(luò)員的郭大叔（郭達(dá) 飾）。偵知到日本人的陰謀，八路軍以及重慶方面的勢(shì)力都行動(dòng)起來(lái)。　　而在這一過(guò)程中，更大的陰謀也悄悄浮出水面……