看門人的童話

★ 9.3 播放：77萬 更新：2026-04-22

這是一個坦率而獨特、充滿爭議和令人費解的故事憤世嫉俗的佩爾Per（拉斯 middot;米克爾森飾）是個60歲的老人，他不甘吃勞保，在一幢現代公寓做管理員。盡管他的腰背有傷脖頸僵硬，但每天他都把臟累苦的工作做得有條不紊　佩爾的心情一直不好，臉上毫無喜悅表情。他的妻子很早就離開了他，而在他看來，蹲監剛剛出獄的兒子卡斯滕Carsten（萊夫 敘爾韋斯特飾）只能算作個卑鄙小人。父子關系很僵。 

在線播放

劇情簡介

這是一個坦率而獨特、充滿爭議和令人費解的故事憤世嫉俗的佩爾Per（拉斯 middot;米克爾森飾）是個60歲的老人，他不甘吃勞保，在一幢現代公寓做管理員。盡管他的腰背有傷脖頸僵硬，但每天他都把臟累苦的工作做得有條不紊　佩爾的心情一直不好，臉上毫無喜悅表情。他的妻子很早就離開了他，而在他看來，蹲監剛剛出獄的兒子卡斯滕Carsten（萊夫 敘爾韋斯特飾）只能算作個卑鄙小人。父子關系很僵。 

導演精選

龍口走蛟

備案單位愛奇藝影業(重慶)有限公司 　　梗概：龍口鎮近來怪事不斷，外鄉人青云子和張不平游歷至此，意外卷入神秘事件當中，他們最終揭開真相，守護了龍口鎮的安寧。

午夜的太陽

該片翻拍自2006年上映的同名日本電影，講述罹患罕見疾病——XP色素性干皮癥的女主因為皮膚不能接受陽光照射，否則將出現生命危險。從此白天與之無緣，只能終日躲在家中，唯一的樂趣也只是趁著夜晚踱到車站廣場唱著自己喜愛的歌。在這一過程中，女主漸漸喜歡上時常路過車站的沖浪男孩的愛情故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.