劇情簡介
這是一部關于隨著一次年輕婦女的性喚醒，到處追求她理想的戀人的旅途中，期間偶遇一位阿拉伯回教族長和西班牙斗牛士，最終在她的朋友和男管家伴幫助下終成眷屬的故事。
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大器晚成2023
凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德凱倫·吉蘭、瑪格麗特·蘇菲·斯坦、杰梅因·福勒、凱文·尼倫、塔利亞·巴爾薩姆將主演喜劇新片《大器晚成》(Late Bloomers)，麗莎·斯蒂恩首導劇情長片，已在紐約殺青。 斯蒂恩的多部短片搭檔安娜·格林菲爾德寫劇本，松散基于她20多歲時居住在布魯克林的經歷，講述露易絲(吉蘭)是一個漫無目的的千禧一代，某天她醉醺醺地摔到了臀部，為此接受了物理治療，在那里結識了一位不會說英語的年長波蘭女士，兩人成為了閨蜜。而正是這種不太可能的友誼讓露易絲有勇氣面對她一直在逃避的事情：她母親的早發性老年癡呆癥。 福勒飾演露易絲的室友/房東布里克，尼倫和巴爾薩姆飾演露易絲的父母。
蒼雪麒麟
黃日瑩,銘亮,琪格,郭宏慶百年前萬靈古城遭黑水軍團操控的麒麟居戮，女王妙清封印麒麟后難產離世。百年后，其遺孤蒼雪貌丑家貧，在忠義堂備受排擠，暗戀陌千禾，機緣下救了龍族皇子諾，獲三個愿望。隨著假公主陰謀、麒麟解封，古城再起危機，蒼雪在蛻變中揭開身世，攜手伙伴對抗幕后黑手，拯救古城。
阿坎達2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon一段溫馨的旅程探索了兒童的純真、自然世界和精神信仰之間的聯系，因為社區正在努力取得進步。 ?? ?????? ?????????? ?????? ????? ???????? ??????? ????? ??????? ?? ??????????????? ?? ???????????????? ?????????? ??????? ???? ???? ?????????? ??????????? ????? ??????? ?????? ????????. ????? ????????? ?????? ????? ???? ??? ????? ???? ?????? ??????? ?? ????? ??????? ????? ?????? ?????????? ?????????... ??????? ???? ??? ????? ????????? ???????? ?????????? ?? ?? ????? ?????? ?????? ??? ???????
未知土地
約克·馬哈尼,Shirley Patterson,威廉·雷諾茲,亨利·布蘭登Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.
大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓廣告界名模戴李察原為名噪一時之大盜“一棚牙”，后因厭倦江湖，與舊拍檔阿蕊互相協議金盆洗手，而阿蕊亦轉而從良，下嫁刑事偵緝警官吳超人。察有一世侄志偉，欲得盜竊的真傳衣缽，但為所拒，無奈志偉卻不罷休。另一方面，指揮官胡處長安排超人及當紅干探沖鋒車，以一顆幾可亂真之寶石，由沖鋒車以歸僑身份，擺設酒會，實行布下香餌釣金鰲。當沖鋒車公開展示寶石之際，志偉果然心癢難忍，在混亂中，將寶石盜取。沖鋒車奪回寶石...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
男孩、鼴鼠、狐貍和馬
湯姆·霍蘭德爾,伊德瑞斯·艾爾巴,加布里埃爾·伯恩,裘德·科沃德·尼科爾查理·麥克西的同名繪本改編的手繪動畫，關于善良、友誼、勇氣和希望，通過一段辛酸而真摯的旅程，講述了一個男孩、一只鼴鼠、一只狐貍和一匹馬，四個孤獨的靈魂在尋找家的過程中結伴而行，并在彼此身上找到了自己存在的意義。