喜愛夜蒲2

評分:4.8 播放:42萬 更新:2026-04-28
主演: 連詩雅 關楚耀 沈震軒 

蘭桂坊是侽女午夜尋歡作樂的地方,流傳著夜場無真噯的潛規則。本片主要講述了四段夜場噯情故事。Rain(關楚耀 飾)是一名攝影師,在夜蒲與富二代的Summer(連詩雅 飾)一見傾心,陷入熱戀,然而Rain逐漸感受到了二人生活的差距,而Summer老爸和前侽友的佰般阻止更讓這對戀人的感情倍受挑戰。Avis是個一般的馬仔,每天丅班后陪老板來夜蒲玩樂,對終日被人欺負的私鐘妹QQ(陳靜儀 飾)心生憐噯,和老板大打出手,讓QQ備受感動。Don(陳靜儀 飾)是夜場高手,終日在夜蒲尋尋一夜激情。一次慌忙中拿錯了別人的手機,開始通過手機和火辣sexy的機主Siri(劉羽琦 飾)調情,約會。阿輝是一名一般的巡警,負責夜場周圍的治安,和夜場DJ Maxim誤會消逝后互生好感,用著折紙的方式來互通情誼

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  2003年,福岡市的一所市立小學,發生了一起老師欺凌學生的惡性事件。一名男性教師以種族歧視為由,對“有美國人血統”的四年級學生處處找碴,施行惡毒的語言暴力和殘酷的體罰。該學生的家長對教師提起民事訴訟,550名律師自發組成原告律師團。福岡市教育委員會也對教師做出了停職處罰。行為如此惡劣的教師堪稱罕見,經《周刊文春》《朝日新聞》等主流媒體報導,引起軒然大波,涉案教師被冠上“史上最惡劣的‘殺人教師’”的名號;但欺凌事件真的發生了嗎?隨著調查的深入,事件發生了驚人的逆轉……  影片改編自記者福田真澄2007年出版的一本書,名為《捏造:福岡“殺人老師”的真相》。

六百英里

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

哪吒鬧海

梁正暉,邱岳峰,畢克,富潤生,尚華,于鼎

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