劇情縱覽
杰拉德卡薩諾瓦是,所有的富饒美麗的女人打電話的時候,他們需要多一點那么丈夫給他們的人。
杰拉德卡薩諾瓦是,所有的富饒美麗的女人打電話的時候,他們需要多一點那么丈夫給他們的人。
在阿什莉提出離婚后,凱里向好友朱莉和保羅尋求慰藉,卻發現這對表面幸福的夫妻實則奉行開放式婚姻。但當凱里逾越界限時,所有人的感情生活都陷入了混亂漩渦。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
影片講述威震江湖的“冷血刀客”寒月刃(李炳淵 飾),因一飯之恩重返枹罕鎮,而此時的枹罕鎮正遭受強權惡霸的欺凌壓迫,寒月刃決定出手相助,卻驚覺人性中的軟弱與恐懼遠比暴力更加可怕。 而他與曼陀羅(孫藝燃 飾)的糾纏如毒刃絞心,在心動與背叛間撕裂掙扎……
由一樁荒誕的“衛生巾殺人魔”案件展開,講述了幾個在日本的中國人,陰差陽錯地卷入一場黑幫斗爭,與日本毒梟斗智斗勇的故事。他們一個是幫派面臨倒閉妄圖自裁的幫派老大、一個是吊兒郎當的黑導游、 一個是殘暴歹毒的黑幫毒梟、一個是唯利是圖的歌舞伎町老板、一個是胸懷大志卻碌碌無為的警 探,每個人為了達到目的經歷了一番復雜而有趣的遭遇。 主角剛正是一個在日本漂泊的“老炮兒”,親手建立的幫派日益衰落,試圖自裁卻意外卷進命案,發現了驚人的秘密。對正義與規矩的堅守,使他選擇與日本黑幫毒梟正面對決。