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寶塔鎮河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮,陳鏡宇,隋抒洋,張家駿我最特別的朋友
張頌文,曾柯瑯,陳永勝,王悅伊,石老板,胡宇,田甜斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·福克斯,夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼宿命,吾愛:第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達,Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc防彈武僧
周潤發,西恩·威廉·斯科特,杰米·金,卡瑞爾·羅登,維多莉亞·斯莫費特,巖松信,袁之正,克里斯·柯林斯,肖恩·貝爾,羅布·阿切爾,袁羅素,保羅·福托,Suresh John,查得卡米列里,約翰·麥克唐納,馬特伯爾曼,Henry Korhonen,Lloyd Adams,Tommy Chang,Alan Tang,林益盛,Michael Cameron,麥克·多普德,Patrick Hagarty,Joyce Kirkconnell,邁克爾·塞爾切基同類推薦
瘦身男女
劉德華,鄭秀文,王天林,林雪,黑川力矢,佐膝佳次Mini Mo(鄭秀文飾)遭受失戀的打擊后,飲食失去控制后體重升至260磅,窈窕身材不再。她與初戀情人黑川約定在十年后的日本相見,但舊貌不再的她深感自卑。偶然相識了跟她同樣體型極胖的肥佬(劉德華飾),肥佬非常同情她,決定要幫她重塑魔鬼身材。肥佬以地獄式減肥方法鍛煉Mini,為了讓她減肥成功,得到更多的金錢讓她上專業美容院減肥,肥佬不惜在街頭被拳擊換取酬勞。令Mini感動不已?! ini恢復原貌前去赴約,黑川向她提出求婚,可是她心中仍念念不忘為她默默付出的肥佬,盼望跟他重逢的一天。
瘋狂的外星人
黃渤,沈騰,湯姆·派福瑞,馬修·莫里森,徐崢,于和偉,雷佳音,劉樺,鄧飛,蔡明凱,王戈,凱特·納爾遜,王硯偉,呲路號稱銀河系最先進的外星文明試圖和地球建交,誰知一連串的誤會導致意外發生。外星使者的飛船墜入大氣層,最終摔在了中國某市的世界公園中。靠耍猴戲為生的耿浩(黃渤 飾)和酒販子好友大飛(沈騰 飾)把受傷的外星人錯認為來自南美洲的猴子,在自家猴子受傷的情況下,耿浩開始訓練起這個他口中的“剛果騷騷猴”來了。由于失去了超能力加成設備,外星人的本事無法施展,只能任由這兩個傻乎乎的地球人打罵操練。盡管如此,他仍試圖奪回自己的裝備。另一方面,之前與外星人交流失敗的超級大國根據外星人留下的信息,穿梭世界各地尋找外星使者。地球的命運朝著不可預測的方向發展…… 本片創意來自劉慈欣的科幻小說《鄉村教師》。
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發現了四人租用的汽車,而在現場發現的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人,以及在新月之夜發病的成年人......這個村子里究竟發生了什么?
半身死靈
大島優子,山崎真實,螢雪次朗,阿部進之介在近代日本坊間流傳著這樣一個傳說,名叫島禮子的美麗少女被美國大兵輪奸,在此之后她精神失常,臥軌而死。島禮子一縷幽魂不散,化作只有上半身的恐怖惡靈。它極端憎惡紅色,每晚出沒在橫跨鐵路的天橋上,并在路過之人背后發出“嗒卡嗒卡”的聲音。一旦路人回頭,它便將對方攔腰斬斷。即使僥幸逃過,在接下來的72小時內也必然遭到“嗒卡嗒卡”的獵殺。 高中少女大橋可奈(大島優子 飾)的好友綾花夜歸遭遇“嗒卡嗒卡”,遇害身亡。克奈在祭拜好友時,同樣見到這個恐怖惡靈,不過僥幸逃脫。然而死亡的陰影仍然籠罩在她的頭上,在女大學生平山理繪(山崎真實 飾)的幫助下,她們一同出發尋找求生的辦法……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.