妻子的校友

評分:7.2 播放:17萬 更新:2026-04-24
主演: ??? 

一萬年來最年輕的保險代理人智英,只有一張無辜的臉,窄腰,豐滿的乳房。小學同學大哲在保險銷售方面苦苦掙扎,并推薦智英來上課和很多好朋友重逢,她盛裝打扮去參加同學聚會,不知為何,她去同學聚會的次數越多,她的銷售業績就越高……

影片推薦

同類精選

影視排行

懸案密碼3:信仰的陰謀

尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕爾·斯維爾·哈根,雅各布·豪伯格·羅曼,阿曼達·科林,約翰·路易斯·施密特,雅各布·奧福特布羅,索倫·比爾馬克,邁克爾·布羅斯楚普,莫滕·基爾斯果,洛特·安德森

  《懸案密碼》系列的第三部:6年前,一只在海上漂流的瓶子在蘇格蘭被打撈上岸,然而里面的求救信卻被視為不祥之物,直到一位調查人員無意中看出了信件開頭用丹麥文寫著:救命!隨著卡爾和兩名下屬的破解,他們發現署名“保羅”的作者不僅確有其人,而且在寫下瓶中信后便下落不明......  為何少年的家人不曾追究他的行蹤?難道他在多年前便已遭遇不測?正當調查陷入膠著,一起離奇車禍讓原本天衣無縫的邪惡罪行露出破綻,串起所有線索的卡爾這才明白,自己面對的并不單是一樁陳年舊案,而是過去十幾年來,許多破碎家庭的絕望呼救…

暗流低語

尼娜·凱莉,亞當·迪馬科,Michèle Duquet,基娜·巴斯蒂達斯,容海峰,Ryan Turner,阿里·米倫,Marisol D'Andrea,Austin Tuason,Seled Calderon,Bianca Nugara,Jayda Woods,Sarah Beaudin,Christina Notto

 伊薇(尼娜·凱莉 Nina Kiri 飾)肩負著照顧臨終母親的重任,她渴望逃離支離破碎的現實帶來的孤獨感。如今,她住在一間堆滿感傷紀念品和回憶的房子里,理智和生活秩序都維系在她制作的超自然播客節目《底音》上。雖然她通常對搭檔賈斯汀發給她的那些令人毛骨悚然的音頻文件持懷疑態度,但最新收到的音頻卻讓她感到不同尋常。一對年輕備孕夫婦的十段從未公開錄音逐一揭曉,每一段都比上一段更加不祥。隨著伊薇將這些錄音與她目前的遭遇進行對比,隱藏的信息逐漸顯現,將她推向瘋狂的邊緣……

曼谷保鏢2

Petchtai Wongkamlao,Tony Jaa

  ⊙《曼谷保鏢2》的故事:  影片故事講述拔泰王錦魯飾演的東南亞某小國特工翁坤,為了調查一伙恐怖份子,秘密潛入泰國曼谷執行任務,并化裝成為流行歌星,混入唱片公司追查。他老婆并不知道他的真實身份,因為翁坤是個十足的“妻管嚴”,但要命的是,他在泰國無可救藥愛上了一個漂亮美眉……與此同時,恐怖份子也要發動大規模襲擊了,翁坤如何能制止這場破壞?  ⊙《曼谷保鏢2》的看點:  繼2005年大賣座的第一集之后,《曼谷保鏢》于今年拍出了續集,有“泰國周星馳”之稱泰國喜劇明星拔泰王錦魯繼續自編自導自演,繼續請來《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師,并且自己惡搞了《拳霸》《冬蔭功》等片,拔泰王錦魯(《拳霸》另一主演)演出非常出彩過癮。Tony Jaa則之是客串身份,在片中有一場打斗,另外自己還拿《冬蔭功》開涮,十分的“搞”。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.