劇情縱覽
男主的弟弟生意失敗,只能讓妻子跟男主和男主的妻子住在一起,弟妹必須在家中做些家務(wù)活,還要忍受男主妻子的數(shù)落,每天夜里男主和妻子的做愛聲音也會讓弟妹欲火焚身,而更悲劇的是,男主的弟弟竟然要和弟妹離婚,再次遭來男主妻子的挖苦,而男主其實一直對弟妹垂涎已久,他必須在妻子和弟妹之間做出選擇.......
男主的弟弟生意失敗,只能讓妻子跟男主和男主的妻子住在一起,弟妹必須在家中做些家務(wù)活,還要忍受男主妻子的數(shù)落,每天夜里男主和妻子的做愛聲音也會讓弟妹欲火焚身,而更悲劇的是,男主的弟弟竟然要和弟妹離婚,再次遭來男主妻子的挖苦,而男主其實一直對弟妹垂涎已久,他必須在妻子和弟妹之間做出選擇.......
基克爾(弗雷德里克·馬奇 Fredric March 飾)是一名知識非常淵博的科學(xué)家,他將畢生的經(jīng)歷都投注到了探索人性的善惡奧妙之中,并且最終制造出了一種可怕的藥劑,這種藥劑能夠令基克爾化身成為海德先生,基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天,基克爾行醫(yī)救人樂善好施,待到夜幕降臨,海德先生便會現(xiàn)身,殺人害命,無惡不作。基克爾有一位名叫伊芙(米利亞姆·霍普金斯 Miriam Hopkins 飾)的未婚妻,兩人之間的感情非常的要好,然而,海德先生的存在讓基克爾不自覺的被名叫碧翠絲(Eric Wilton 飾)的放蕩妓女所吸引。分裂的人格讓基克爾感到萬分的痛苦,他想要消滅海德先生。
莉莉聯(lián)合男友二毛假綁架騙父王總200萬,同伙實為遭她當(dāng)年陷害的前男友大頭,其目的是報復(fù)。交易前夕三方因各懷鬼胎爭斗,王總趕到救下莉莉,參與假綁架者皆因貪欲將面臨法律制裁,警示莫因欲望犯錯。
三谷幸喜自編自導(dǎo)。大富豪的妻子須緒美突然失蹤,在得知她失蹤后,在丈夫居住的豪宅集結(jié)的是愛過她的5個男人。但是他們所說的須緒美,無論是外表還是性格,都像是換了一個人。那么,到底須緒美的真面目是什么呢?
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster