在線播放
劇情簡介
本片由三個短篇故事組成:年輕女孩和迷你豬住在一棟骯葬公寓裡,她真的只有一個人嗎?又聾又啞的夫婦被一群小混混攻擊,不過他們受到一只神秘護身符的保護;一個男子在性愛夜店裡迷失,有人告訴他只要服下由「風茄」的根製成的yao,就能體驗無上的性愛,卻沒人告訴他極致的性愛也將帶來最恐怖的副作用
同類好片
爺孫大學路
泰勒·派瑞,Bernardo Harris,Shekeb Sekander,Xica Brewer,本·斯威利,Patricia Williams不良街區
張本煜,黃塏翔,劉揚,町田悠宇,粘土大介困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維偽叛國者
威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫岡·普萊斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑走心男
權相佑,文彩元柏蒂娜的苦淚
瑪吉特·卡斯滕森,漢娜·許古拉,卡特琳·沙克,埃娃·馬特斯,吉塞拉·法克爾代,伊爾姆·赫爾曼人氣佳作
火拼
方中信,呂良偉,安志杰,張繼聰,陳家樂,錢嘉樂,陳國邦,張文杰,馬思惠,沈震軒人面獸心2024
基特·哈靈頓,阿什莉·卡明斯,詹姆斯·科茲莫,凱奧林·斯普林加爾,亞當·巴茲爾靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫碧怒獸出籠
丹尼爾·麥克弗森,盧克·海姆斯沃斯,羅素·克勞,布倫·福斯特,莫讓·阿里亞,馬特·納夫萊,凱莉·蓋爾,內森·菲利普斯,Amy Shark,埃莉扎·德蘇扎,CJ·布隆菲爾德,喬治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,羅基·弗里杰里奧,Alex Ballesteros導演精選
那一晚,我知道你做了什么
影片《那一晚,我知道你做了什么》 講述了四位大學好友,馬韋、賈超、劉強、翟杰磊在畢業前最后一頓散伙飯后準備瘋狂一把,不了發生了一件讓眾人始料未及的事件。好學生翟杰磊被抓,一夜之間他的生活發生了翻天覆地的變化,此后翟杰磊便渺無音訊,大家也各奔東西。三年后,翟杰磊的未婚妻娜娜竟然突然打電話給翟杰磊當年的三位好友馬韋,劉強等人,邀請他們參加自己和系花娜娜的婚禮,而他最終卻沒有出現。一場密室真心話大冒險由此拉開序幕。 已達到院線電影標準的《那一晚,我知道你做了什么》在2016年北京青年電影展閉幕式上成功入圍北京青年影展“第一屆最佳網絡電影”單元,并獲得最佳網絡大電影獎。導演馮海濤在發表表彰感言時表示,感謝影展關注網絡大電影,這是網絡大電影第一次在表彰典禮登堂入室,這是觀眾的進步,是中國電影的進步。網絡大電影成為本屆電影展上眾人關注的焦點。 影片懸疑色彩濃厚,劇情非常深入人心,是一部非常值得期待的電影。
分享鎮
在阿什莉提出離婚后,凱里向好友朱莉和保羅尋求慰藉,卻發現這對表面幸福的夫妻實則奉行開放式婚姻。但當凱里逾越界限時,所有人的感情生活都陷入了混亂漩渦。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.