大宋艷情史之綺夢情劫

1.6 播放:28萬 2026-04-23

北宋書生郭金城,被一個恐怖綺夢纏身。要千里訪尋驅魔道士雞鳴大師,途中遇到專吸男人陰氣的妖女,危機重重,及后更發展了數段既溫馨、感人又香艷纏綿的遭遇

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奧蘭多·瓊斯,Edmund Entin,Gary Entin

  在一次尋常的大學生家庭派對上,荷爾蒙過剩的青年們盡情玩耍。然而當晚卻發生了一起血腥慘劇,數名校隊運動員在地下室玩俄羅斯輪盤賭,最終導致4人身亡。在此之后,蘭普金警探(Orlando Jones 飾)受命調查此事,并走訪了死亡大學生所在的教會學校。通過對死者朋友們的盤查,他將盤問對象所定在喬納(Edund Entin 飾)和賽斯(Gary Entin 飾)身上?! 碳{和賽斯是一對俊美的雙胞胎,他們有著極高的智商,卻為周圍的同學所不容,共同視他們二人為怪胎。他們雖然經常拿著攝像機在學校走來走去,不過早已被他人當作空氣。隨著蘭普金調查的深入,這對神秘兄弟的關系也變得越來越微妙……

毒鯊

克里斯蒂娜·馬斯特森,克里斯蒂娜·馬斯特森,Michelle Cortés

  當客人意識到有毒的鯊魚正在滋生周圍的水源時,一個熱帶單身度假勝地將會轉瞬即逝。 它不僅會撕裂受害者,而且還會使用拋射酸來進出水中。

春生回家

日軍侵華,陳春生目睹父親慘死刀下,執念驅使他不顧母親哀求,深夜偷跑參軍,立誓抗日救國,再回家鄉。他在戰場浴血成長,終見山河光復,然而內戰打響,拖慢了他回鄉的腳步。陳春生拒絕向同胞舉槍,淪為逃兵被關押,1949年被強行運往臺灣。在臺數十年,他漂泊無依,雖遇良伴組建新家,卻始終被思鄉之苦煎熬。兩岸三通后,他竟得知母親仍在等他,八十三歲的他飛奔回鄉,與百歲母親相認,這份遲到71年的承諾,終在生命盡頭圓滿。

血灑胭脂馬

羅伯特·蒙哥馬利,旺達·亨德里克斯

  在邊境城市圣帕布羅,為一年一度的“墨西哥嘉年華”做準備,加金到來了:強硬,神秘和簡潔。他的任務是:找到同樣神秘的弗蘭克雨果,顯然是為了報復;還是敲詐?FBI探員雷茨也在追捕難以捉摸的雨果。鎮上的每個人都是神秘的,尤其是皮拉,一個神秘的少年,跟隨加金四處,并預感到他的死亡。還包括一個經典的女性法塔萊和一個古老的旋轉木馬與一個粉紅色的馬…

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

塔米·菲的眼睛

杰西卡·查斯坦,安德魯·加菲爾德,切莉·瓊斯,文森特·多諾費奧,馬克·懷斯特拉克,山姆·賈格,路易斯·坎瑟米,加布里埃爾·奧爾德斯,弗瑞德里克·林恩,錢德勒·海德,杰伊·胡古雷,格蘭特·歐文斯,柯莉·坎帕尼,杰絲·威克斯勒,林賽·艾利夫,蘭德爾·P·海文斯,Joe Ando-Hirsh,德魯·布羅德里克,布倫特·莫雷爾·加斯金斯,Tanya Jacobson,小唐納德·諾里斯,Dan Johnson,Michael MacCauley

 該作品改編自2000年同名紀錄片,講述塔米·菲(杰西卡·查斯坦 飾)和吉姆·貝克(安德魯·加菲爾德 飾)這對夫婦作為電視福音布道家的大起大落。在上世紀70-80年代,塔米·菲和吉姆·貝克從貧寒中奮起,創建了當時世界上最龐大的宗教廣播電視網和一個主題公園,他們傳遞的愛、接納和繁榮的主題受到人們的尊敬。塔米 · 菲以她夸張的睫毛,獨特的歌聲、以及她熱情擁抱各行各業的人們而成為傳奇。不過好景不長,經濟上的不當行為、詭計多端的競爭對手以及性丑聞的爆發使得這對夫婦的婚姻破裂,導致他們精心構建起來的帝國開始崩塌。