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人工情報
趙寅成,樸正民,樸解浚,申世景韓國國情院特工趙科長,奉命追查跨國犯罪集團,循著犧牲情報員的線索前往俄羅斯符拉迪沃斯托克,意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報源蔡善花展開博弈,卻同時被各自國家拋棄,被迫在忠誠、背叛與生死之間,聯手揭開邊境諜戰的驚天黑幕。
忌怪島
西畑大吾,山本美月,生駒里奈,當真亞美,平岡祐太,水石亞飛夢,川添野愛,禱云母,大谷凜香,笹野高史,伊藤步,灘儀武本片將聚焦如今頗受關注的“元宇宙世界”。VR研究小組成員一個個因為不明的原因死亡,孤島上“紅色女”的咒怨被解禁,慘劇拉開序幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我家的事
藍葦華,高伊玲,曾敬驊,黃珮琪,朱羿銘,姚淳耀,嚴藝文,鄭有杰一個家就是一個四季,每個家都有不能說的秘密。追尋身世的姊姊、艱辛求子的媽媽、天兵闖蕩的弟弟、試圖逆轉人生的爸爸,有歡聲笑鬧,也有哭泣仿徨,直到微光照進幽暗的心房。改編自短片《姊姊》,導演潘客印首部長片以不同家人視角,編織一部動人小品,勾勒平凡臺灣鄉間家庭橫越24年的鮮活畫像。藍葦華、高伊玲、曾敬驊、黃佩琪共組一家四口,串起四段時光的悲喜往事。
我的的士爸爸
高山,邢露勻,易莉,楊曦,陳梓桐,李嘉欣影片主要講述了一名出租車司機搭載了一名沉默寡言、行為異常的小女孩,偶然的一次搭載讓出租車司機和陌生的小女孩卷入了一連串充滿疑云的事件中,引發觀眾對人性、信任與危機的深度思考。
邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特20世紀80年代,美麗的女大學生薩曼莎·休斯(喬塞琳·多納休 Jocelin Donahue 飾)看上一間公寓,好心的女房東已經免去了麻煩的保證金,不過薩曼莎還是要為了每月的房租而努力。她從布告欄找到一份保姆的工作,當晚,薩曼莎的好友梅根(格蕾塔·葛韋格 Greta G erwig 飾)送她前往雇主家面試。梅根對這份工作頗有顧忌,而薩曼莎似乎急于賺錢,全不在意。 雇主烏爾曼夫婦住在荒郊野外的一幢老式別墅中,這里沒有小孩需要照看,文森特·烏爾曼先生(湯姆·諾南 Tom Noonan 飾)要為他生病的母親找一位護理人員。薩曼莎起初惴惴不安,但看在錢的份上她最終選擇留在這里。而她將為這個選擇后悔莫及……