M夫人的日記

★ 0.8 播放:33萬 更新:2026-04-26

別名: The Diary of Lady M 她是一位美麗而有天賦的演員,但她的表演不是那種吸引潮流人群的風格。盡管她不太有機會出名,但她對作為一名主流之外的演員生活非常滿意。一晚,一名曾看過她的表演并希望能認識她的西班牙畫家,在等待他重返舞臺,他們漫步巴黎并彼此逐漸了解,之后畫家返回了西班牙,可是 M 夫人內心的深處的激情已被他激發而不能平靜,她飛去巴塞羅那見他,他們的關系由普通的朋友演變為澎湃的情欲。M 夫人對他如此的迷戀,以至于當她發現這位畫家有一位黑妻子子與孩子時,她雖然有一點意外,但仍然邀請他們全家去巴黎與她相會,而他們真的這么做了,情欲關系由兩人變成了三個人 

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劇情簡介

別名: The Diary of Lady M 她是一位美麗而有天賦的演員,但她的表演不是那種吸引潮流人群的風格。盡管她不太有機會出名,但她對作為一名主流之外的演員生活非常滿意。一晚,一名曾看過她的表演并希望能認識她的西班牙畫家,在等待他重返舞臺,他們漫步巴黎并彼此逐漸了解,之后畫家返回了西班牙,可是 M 夫人內心的深處的激情已被他激發而不能平靜,她飛去巴塞羅那見他,他們的關系由普通的朋友演變為澎湃的情欲。M 夫人對他如此的迷戀,以至于當她發現這位畫家有一位黑妻子子與孩子時,她雖然有一點意外,但仍然邀請他們全家去巴黎與她相會,而他們真的這么做了,情欲關系由兩人變成了三個人 

導演精選

懸案密碼2:野雞殺手

  幾十年前,一對年幼的兄妹在自家的小屋里慘遭殺害,唯一可能犯案的,是當時在那里度假的寄宿學生,然而,因為證據不足,最終這群學生們未能被定罪,小屋案成為了未破的懸案,而當年負責此案件的警探卡爾(尼古拉·雷·卡斯 Nikolaj Lie Kaas 飾)也因此一蹶不振,這宗疑點重重的案件成為了他的一塊心病。  一晃眼幾十年過去,當年的寄宿學生們已經長大成人,活躍在上流社會之中,雖然他們衣冠楚楚風度翩翩,但實際上,他們扭曲的心靈早就令這些人成為了野獸,唯有在殺戮中才能獲得快感。當卡爾重拾曾經的懸案之時,危險也在一步一步的接近著他和他的家人們。

格斗家

小說作家阿貞與拳王父親從小存在隔閡,父親離世后,她通過格斗競技探尋真相,逐漸理解父親并完成自我蛻變。影片圍繞父愛與親情展開,男主角雖格斗天資一般,仍不懈追尋夢想。劇情融合文與武轉換、善與惡抉擇,最終阿貞為父正名,成為真正的格斗家 。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.