高校教師成熟
有一個私立男孩的高中。 Ishima Kayoko (赤坂蕾) 是學校里唯一一個有精子染色的女教師。 在624年輕男性的欲望的眼里, 她在老師的理智和女人的本能中掙扎。 被學生挑釁激發的身體被委托給男 Yoneda 的一位同事老師岡悟和前情人, 并希望暫時的安慰。 然而, 她的頭腦不滿意的關系, 一個純潔的男人和一個女人, "婚姻" 是糾纏在他們84年來 "Nikkatsu 新秀女演員大賽" 的冠軍是赤坂蕾的一首難忘的亮相。 她被稱為最美麗的浪漫和美麗的外觀女演員。 大膽展示性感身體的光澤, 一定要看! 子渡邊, 訝加和美麗的女演員被排列。 導演 "浪漫主義大師" Shogoro 西。 一個好的生產, 帶來了赤坂麗的魅力閃耀通過展示的技能, 羅馬的藝術大師被稱為工藝。 劇本是由齋藤寫的, 如 "女教師狩獵" 和 "米卡圓女人誰濕手指"。
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劇情提要
有一個私立男孩的高中。 Ishima Kayoko (赤坂蕾) 是學校里唯一一個有精子染色的女教師。 在624年輕男性的欲望的眼里, 她在老師的理智和女人的本能中掙扎。 被學生挑釁激發的身體被委托給男 Yoneda 的一位同事老師岡悟和前情人, 并希望暫時的安慰。 然而, 她的頭腦不滿意的關系, 一個純潔的男人和一個女人, "婚姻" 是糾纏在他們84年來 "Nikkatsu 新秀女演員大賽" 的冠軍是赤坂蕾的一首難忘的亮相。 她被稱為最美麗的浪漫和美麗的外觀女演員。 大膽展示性感身體的光澤, 一定要看! 子渡邊, 訝加和美麗的女演員被排列。 導演 "浪漫主義大師" Shogoro 西。 一個好的生產, 帶來了赤坂麗的魅力閃耀通過展示的技能, 羅馬的藝術大師被稱為工藝。 劇本是由齋藤寫的, 如 "女教師狩獵" 和 "米卡圓女人誰濕手指"。
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守護惡魔
故事設定在20世紀90年代末的越南西南部鄉村,講述了年輕女子Lan(Ph??ng Thanh飾)在父親去世后,前往一位名叫Danh(M?c V?n Khoa飾)的鰥夫家中擔任女傭。她很快發現這座房子隱藏著可怕的秘密:神秘的死亡事件接連發生,村莊中流傳著關于“守財靈”的傳說——一種通過黑暗儀式召喚的靈體,用于守護財產,但會對陌生人造成致命威脅。Lan與一位名叫S?n(Qu?c Tr??ng飾)的恐怖小說作家聯手,試圖揭開這些離奇事件背后的真相。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.