切羅基大街的房子
英國(guó)托管末期的以色列特拉維夫。生活在切羅基大街的是一群來(lái)自世界各地猶太人。15歲埃及裔以色列男孩兒薩米是寡婦克拉拉的長(zhǎng)子。克拉拉給人幫傭,家庭生活拮據(jù)。喜歡讀書(shū)的薩米不得不綴學(xué)去做工。因粗暴的工頭的種族歧視語(yǔ)言引發(fā)了工人們的罷工,薩米借機(jī)來(lái)到圖書(shū)館看,邂逅了敘利亞女孩兒索妮亞,并與她發(fā)生了肌膚之親,最終因種族和年齡的差異而分手。英國(guó)軍隊(duì)四處抓捕猶太激進(jìn)分子,民不聊生。聯(lián)合國(guó)決議宣布后,第一次中東戰(zhàn)爭(zhēng)開(kāi)始,薩米的弟弟在轟炸中喪生,薩米虛報(bào)年齡參軍入伍,奔赴戰(zhàn)場(chǎng)。獲獎(jiǎng)情況:該片獲當(dāng)年奧斯卡最佳外語(yǔ)片提名。
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萊姆豪斯的殺人魔
奧利維亞·庫(kù)克,比爾·奈伊,道格拉斯·布斯,埃迪·馬森,瑪利亞·瓦沃德,薩姆·里德,亞當(dāng)·布朗,戴維·鮑姆伯,保羅·里特,丹尼爾·梅斯,馬克·坦迪,摩根·華金斯,彼得·蘇利文,亨利·古德曼,達(dá)米安·托馬斯瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel茱莉亞
簡(jiǎn)·方達(dá),杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內(nèi),杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales河?xùn)|獅吼
張柏芝,古天樂(lè),范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅(jiān)同類推薦
搶錢大作戰(zhàn)
吉奧瓦尼·瑞比西,范·迪塞爾,尼婭·朗,尼基·凱特,本·阿弗萊克,湯姆·艾弗瑞特·斯科特19歲的少年賽斯·戴維斯(吉奧瓦尼·瑞比西 Giovanni Ribisi飾)一心希望能盡快淘到自己的第一桶金,好讓父親另眼相看。他本打算靠玩非法紙牌起家,卻發(fā)現(xiàn)此路根本行不通,直到一家名為J.T.馬林經(jīng)紀(jì)公司的股票經(jīng)紀(jì)商找上了賽維斯。 在這個(gè)號(hào)稱“鍋爐房”的核心辦公室里,多少個(gè)一夜間成為百萬(wàn)富翁的故事深深誘惑著賽維斯。很快,野心勃勃的賽維斯便以優(yōu)異的成績(jī)通過(guò)了股票經(jīng)濟(jì)人認(rèn)證考試,開(kāi)始了他的“成功之路”。他把那些永遠(yuǎn)都沒(méi)有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險(xiǎn)的速度追逐著金錢與利益,靠近著他所謂的功成名就,貪婪而不安。在紐約長(zhǎng)島這個(gè)瞬息萬(wàn)變的商業(yè)圈里,良心未泯的賽維斯終于開(kāi)始面對(duì)良心的考驗(yàn)。
雜交種
Angela Durazo,Nathan Schellerup,Malinda Farrington,Danny Winn,Katy BentzThe nightmare was about a demonic possession. A long time ago, there was an evil in a small town and it was jealous of the girl and would never let her go, since the devil loved the girl. One night, the evil raped the girl and she became pregnant. After months the girl could not hide her baby, her father figured her secret out and clapped the girl in irons and locked her room door. But the evil put the gun to her father' temple and saved the girl. The father had a stroke and had been sleeping on the bed for three months and died. Time went on and the girl brought a child into the world. Naturally, people who were living in the village heard the story and they did not want to see neither the girl nor the baby since when the baby was born, plants dried in the field, fishes lost in the lake and people had prayed to the god for rain, but nothing changed in the village. People got so angry, dug a hole in front of the fountain, put her into the hole and threw stones at her face. The girl died soon after. The evil went off the deep end, took a revenge of the village and killed everyone except two sisters because the evil wanted them to take care of its baby...
相會(huì)在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達(dá)馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson一對(duì)黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會(huì)怎么辦?對(duì)抗強(qiáng)權(quán)為黑人群體發(fā)聲?并不,妹妹居然造了一架時(shí)光機(jī)器,回到過(guò)去好讓自己的哥哥免于槍殺!
衛(wèi)兵的吶喊
米婭·麥肯納·布魯斯,馬特·狄龍,伊薩赫·德·班克爾故事發(fā)生在塞內(nèi)加爾的大型建筑工地附近,晚上工人們與一名男子發(fā)生了沖突,男子的哥哥在工地因工傷喪生。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.