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你好弗里達
奧利維婭·魯茲,Emma Rodriguez,Rebeca Gonzales,Léo C?té,Sophie Faucher,曼努爾·泰德羅斯,Anne Girard,Joey Bélanger茱莉亞
簡·方達,杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納定格惡魔
艾斯琳·弗蘭喬茜,斯特拉·古奈特,湯姆·約克,凱奧林·斯普林加爾,詹姆斯·斯旺頓,Joshua J Parker,Jaz Hutchins,Bridgitta Roy曠野
亨特·杜漢,山姆·賈格,凡妮莎·肖小城犯罪
奧克塔維亞·斯賓瑟,約翰·浩克斯,凱蒂·洛茨,詹姆斯·拉夫爾提,小克利夫頓·克林斯,邁克爾·瓦爾坦,安東尼·安德森,丹尼爾·遜亞塔,戴爾·迪奇,羅伯特·福斯特,巴特·約翰遜,亞當(dāng)·約翰遜,唐·哈維,肖恩·卡里甘同類推薦
懸崖絕壁
佩麗冉卡·曹帕拉,卡爾·厄本,特穆拉·莫里森,伊斯梅爾·克魯斯·科爾多瓦,加里·比德爾,薩菲亞·奧克利-格林,大衛(wèi)·菲爾德,扎克·莫里斯,格雷格·哈頓,薩欽·喬伯,帕卡羅·姆澤貝,喬丹·穆尼,羅尼·詹姆斯·休斯,莎倫·布魯克斯,艾克·楚特,喬恩·奎斯蒂德,吉迪恩·姆澤姆貝,拉斯·加拉格爾,維丹滕·奈杜,內(nèi)斯特·盧卡斯故事以19世紀(jì)的開曼群島為背景,索爾達娜飾演居住在加勒比海地區(qū)的埃克塞爾,這是一個非常強勢的女性角色,當(dāng)她的島嶼被兇殘的海盜入侵時,她過去的秘密將被揭開。
雙龍吐珠
吳耀漢,岑建勛,葉德嫻,羅美薇,午馬英勇保護證人而展開一連串的警險搞笑…… 吳阿秋(吳耀漢)與貝多芬(岑建勛)奉命保護重要證人羅美美(羅美薇),但美美天性反斗,不喜被貼身保護,偷偷溜走,引來追殺危機。秋誤以為自己身患絕癥,變得非常搏命,與殺手拼個你死我活……
不明影像:絕對點擊禁止
樸寶英,周元,江星在網(wǎng)絡(luò)監(jiān)查科兼職的大學(xué)生俊赫,為了和生氣的女友世熙(樸寶英 飾)重歸于好,轉(zhuǎn)而求助于女友的妹妹——高中女孩靜美。靜美是一個沉迷以來網(wǎng)絡(luò)的時尚女孩,她答應(yīng)幫助俊赫,條件是俊赫能幫她找一些網(wǎng)上封禁的稀奇古怪的視頻。萬般無奈,俊赫只得幫忙尋找,誰知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會改變,每次打開后也會呈現(xiàn)不同的內(nèi)容,甚至在看完之前都無法關(guān)閉。倒霉的靜美似乎恰恰碰上了那個傳說中的詛咒視頻,在此之后,她的周圍接連發(fā)生詭異事件。 網(wǎng)絡(luò)時代帶來便利,也衍生了假象與罪惡,通往地獄的大門慢慢開啟……
AUNTY當(dāng)網(wǎng)紅
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster