變形記

評分:9.4 播放:85萬 更新:2026-04-24
主演: Amira Akili Sébastien Hirel Mélodie 

When暫無內容Europe暫無內容skips暫無內容class暫無內容to暫無內容climb暫無內容aboard暫無內容an暫無內容eight-wheel暫無內容truck暫無內容with暫無內容a暫無內容magnetic暫無內容young暫無內容man暫無內容named暫無內容Jupiter,暫無內容little暫無內容does暫無內容she暫無內容know暫無內容of暫無內容the暫無內容journey暫無內容of暫無內容initiation暫無內容that暫無內容lies暫無內容ahead暫無內容of暫無內容her.

影片推薦

同類精選

影視排行

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

手機有鬼

漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚容·斯皮森伯格,馬克·范·伊文

  安娜在床上醒來,腦袋因為前一夜的狂歡有些昏沉疼痛。她打開手機,發(fā)現(xiàn)新增一款名為“伊麗絲”(IRIS) 的神秘互動APP;它將好姊妹出軌的證據偷拍下來,還將不雅照、私密影片和訊息散布至臉書,監(jiān)控她的生活,周遭朋友紛紛卷入,陷入恐慌。  安娜用盡一切辦法,欲將伊麗絲移除,卻引來致命殺機。不甘居于劣勢的她,決定正面迎擊…。

鬼影2025

Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari

達爾文是一名攝影師,他發(fā)現(xiàn)有個神秘女人總出現(xiàn)在自己的照片中。當這個幽靈般的身影開始在現(xiàn)實生活中顯現(xiàn)時,他的女友皮亞開始調查這個鬼魂的身份,最終發(fā)現(xiàn)它與一名名叫莉莉斯的前大學學生有關。當達爾文的朋友們開始陸續(xù)死亡時,皮亞懷疑這些鬼魂事件與達爾文的過去惡行有關。

后來的我們韓版

具教煥,文佳煐,姜末琴

在開往家鄉(xiāng)的客運上,恩浩(具教煥 飾)遇見了休學后下定決心要前往某處的正媛(文佳煐 飾),產生了一段不可思議的緣分。為彼此的夢想加油的兩人,不知不覺地深入對方的生活,成為了一對戀人。一同歡笑、爭吵、和解的兩人,雖然擁有了世上最熾熱的愛,但面對殘酷的現(xiàn)實,兩人最后仍選擇分道揚鑣。就這樣過了10年,再次遇見彼此的瞬間,恩浩問了正媛一直很想問的問題“如果我們……”                                                                        影片改編自2018年劉若英執(zhí)導的《后來的我們》。