聚會的目的：開始

? 1.5 播放：67萬 2026-04-27

我們在約會嗎？即使我和她睡覺了？朋友睡在一起可以嗎？假裝不知道，假裝知道周圍的調(diào)情。調(diào)情在任何時間，任何地點！ 　今天與這一個，明天與那個和誰知道誰后一天

在線觀看

? 播放 聚會的目的：開始

劇情提要

我們在約會嗎？即使我和她睡覺了？朋友睡在一起可以嗎？假裝不知道，假裝知道周圍的調(diào)情。調(diào)情在任何時間，任何地點！ 　今天與這一個，明天與那個和誰知道誰后一天

幕后花絮

鬼眨眼

　　A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster