新傾國傾城 新傾國傾城 (2005)

? 4.1 播放：69萬 2026-04-23

古裝宮庭艷情喜劇，唐朝天寶年間，安史之亂，當朝天子李龍基和妃子楊玉環(huán)，被逼出走，身邊只帶老將郭子儀及曹國舅，郭子儀平時滴酒不沾，但酒後則拿刀四處破壞，而曹國舅於風雨之夜就失去常性，便成為摧花殺手，民間也處處姦淫婦女，荒逸無度，而身為九五之尊的皇上，亦因為自身之陽具太短而失信心。幾人最後逃至安長村，得悉村內有華陀後人，能使陽具起死回生，決定一試穴隆陽大法手術，怎料中途出了意外，封著血道的金針鬆脫，結果還成功完成，增長增大增強，作愛稱心得意，並平定安祿山造反.......

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劇情提要

古裝宮庭艷情喜劇，唐朝天寶年間，安史之亂，當朝天子李龍基和妃子楊玉環(huán)，被逼出走，身邊只帶老將郭子儀及曹國舅，郭子儀平時滴酒不沾，但酒後則拿刀四處破壞，而曹國舅於風雨之夜就失去常性，便成為摧花殺手，民間也處處姦淫婦女，荒逸無度，而身為九五之尊的皇上，亦因為自身之陽具太短而失信心。幾人最後逃至安長村，得悉村內有華陀後人，能使陽具起死回生，決定一試穴隆陽大法手術，怎料中途出了意外，封著血道的金針鬆脫，結果還成功完成，增長增大增強，作愛稱心得意，並平定安祿山造反.......

幕后花絮

星河戰(zhàn)隊2：聯(lián)邦英雄

　　在蟲族突襲布宜諾斯艾利斯之后，聯(lián)邦軍隊發(fā)動反攻，在坦戈約里擊潰蟲族，并在P行星虜獲蟲族首領。在此之后，聯(lián)邦軍隊乘勝追擊，派大軍殺向蟲族隔離區(qū)。殘酷的戰(zhàn)斗沒有止境，機動部隊第6戰(zhàn)隊遭到蟲族圍攻，苦盼救援部隊不得，眼看滅亡在即。關鍵時刻，第6戰(zhàn)隊首領夏普德將軍（埃德·勞特 Ed Lauter 飾）與幾名士兵吸引蟲族，命令霍頓（Jason-Shane Scott 飾）、珊蒂余下的戰(zhàn)士前往最近的祖魯角哨站避難。此前，該哨站已經廢止，所有人員全部死亡，只有一名中尉幸存。在這個隔絕之地，戰(zhàn)士們進行最后的抵抗……　　本片為《星河艦隊》的第一部續(xù)集，拍攝完畢后直接發(fā)行DVD。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster