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復(fù)仇1978

塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁

　　故事發(fā)生在1941年，希特勒支持的羅馬尼亞鐵衛(wèi)軍到處殘害人民，迫害共產(chǎn)黨員，陰謀進行顛覆，取代安東尼斯庫政權(quán)，其中鐵衛(wèi)軍隊長巴拉班尤其嗜殺成性。安東尼斯庫政權(quán)保安機關(guān)的警長（后升為警察總監(jiān)）莫多萬在羅馬尼亞共產(chǎn)黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛(wèi)軍展開血腥斗殺......

地球浩劫

肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登

　　After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?

韓國制造的我

普里揚卡·阿魯莫漢,樸惠珍

一位來自泰米爾納德邦小鎮(zhèn)的女子移居夢寐以求的韓國，卻難以在異國他鄉(xiāng)站穩(wěn)腳跟。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster