我的愛情遺忘在秋天

? 3.5 播放：84萬(wàn) 2026-04-24

加布里埃爾Gabriel（馬蒂厄暫無內(nèi)容阿馬爾里克飾）徘徊在兩個(gè)女人之間，前任女友熱妮Jenny（讓娜巴利巴爾飾）以及現(xiàn)任女友安娜Anne暫無內(nèi)容(維爾日妮勒杜瓦揚(yáng)飾)，熱妮成熟性感、安娜年輕迷人，前者代表美好的舊日時(shí)光，后者熱情卻任性，加布里埃爾猶豫兩者之間無法抉擇。除了愛情，工作同樣使他困惑，加布里埃爾在出版社擔(dān)任編輯，卻又懷念以前自由創(chuàng)作的日子。這一切的矛盾直到罹患絕癥的好友阿德里安Adrien（弗朗索瓦克呂澤飾）忽然去世，加布里埃爾重新審視阿德里安短暫的人生時(shí)才幡然醒悟。阿德里安出版過四部小說，卻在死后才獲得文壇肯定，感情方面也同樣徘徊在新舊兩任女友的愛情邊緣，終身尋覓至愛卻不料猝死。阿德里安短暫的人生、以及生命中不可挽回的遺憾都令加布里埃爾震驚，他重新看待自己的人生，在一切混沌中找到真正的出口。

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? 播放 我的愛情遺忘在秋天

劇情提要

加布里埃爾Gabriel（馬蒂厄暫無內(nèi)容阿馬爾里克飾）徘徊在兩個(gè)女人之間，前任女友熱妮Jenny（讓娜巴利巴爾飾）以及現(xiàn)任女友安娜Anne暫無內(nèi)容(維爾日妮勒杜瓦揚(yáng)飾)，熱妮成熟性感、安娜年輕迷人，前者代表美好的舊日時(shí)光，后者熱情卻任性，加布里埃爾猶豫兩者之間無法抉擇。除了愛情，工作同樣使他困惑，加布里埃爾在出版社擔(dān)任編輯，卻又懷念以前自由創(chuàng)作的日子。這一切的矛盾直到罹患絕癥的好友阿德里安Adrien（弗朗索瓦克呂澤飾）忽然去世，加布里埃爾重新審視阿德里安短暫的人生時(shí)才幡然醒悟。阿德里安出版過四部小說，卻在死后才獲得文壇肯定，感情方面也同樣徘徊在新舊兩任女友的愛情邊緣，終身尋覓至愛卻不料猝死。阿德里安短暫的人生、以及生命中不可挽回的遺憾都令加布里埃爾震驚，他重新看待自己的人生，在一切混沌中找到真正的出口。

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公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.