一波又一波的欲望
別名：快樂的波波 Waves of Lust / A Wave of Pleasure 幾年前，他還做出了一大飛濺在食人族子流派，魯杰羅德奧達(dá)托的導(dǎo)演羅曼波蘭斯基的輝煌水中刀這個成功的撕裂。當(dāng)然，作為一個意大利電影 - 有更多的專注于性別比中央的夫婦之間的關(guān)系，但幽閉氣氛和有趣的字符有助于保持張力冒泡，確保電影有趣的是，在此期間。電影不會有那么多"咬"食人族大屠殺和最其余魯杰羅德奧達(dá)托的片目，但很明顯，甚至與這個早期的電影;德奧達(dá)托潛力的導(dǎo)演對電影做一個標(biāo)記。情節(jié)簡單，它只是集中在兩對夫婦。喬治和西爾維婭邀請伊瑞姆和芭芭拉他們的游艇上周末巡航。它很快蒸發(fā)，喬治是不是最敏感的人，是曾經(jīng)出現(xiàn)過，和西爾維婭似乎并不介意他那雙治療。局勢升級，和伊瑞姆和芭芭拉聯(lián)手報復(fù)喬治和西爾維婭三通性，當(dāng)然。 這部電影是其持續(xù)時間為廣大一艘游艇，這使得設(shè)置為一個偉大的電影將于英寸隔離設(shè)置意味著，德奧達(dá)托可以保持對人物的焦點(diǎn)，這絕對是一件好事膜。有很多的情況一樣沒用的意大利電影，一些人物的動作都有點(diǎn)腥的對話主要是空洞的 - 但這些事情不要打擾我太多，波色樂呵呵地觀看。有大量的x愛場面，而特性的膠卷，血很少，這并不重要，因?yàn)樗敲鞔_的重點(diǎn)在哪里，就是要。這部電影不提供任何特別知名演員，雖然四個主要演員都將繼續(xù)出演更好地了解意大利電影。約翰 施泰納是在演戲方面的最大出色旁邊秀色可餐伊麗莎白 特納和西爾維婭迪奧尼西奧提供了一個良好的表現(xiàn)。中央四人鋁吊鉤（從僵尸血肉食者）四舍五入。總體而言，波色絕對有看頭。和緊張的氣氛是好的，這一切都?xì)w結(jié)到一個滿意的結(jié)論。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最終荷載
Judd Nelson,杰夫·法赫,德魯·沃特斯,瑪?shù)稀ず嗟律?/span>Pierce Butler, a former Marine and long-retired marijuana smuggler, whose wife is suffering from a rare type of cancer, must return to his drug-running ways and make one Final Load in order to save his house, his company, and his wife.
當(dāng)你約會的時候
克和茱莉婭因?yàn)閿z影在網(wǎng)上相識，兩人分享彼此的攝影作品，并且嘗試在網(wǎng)上交往。在朋友的慫恿下，尼克主動約茱莉婭見面，試圖開始真正交往，不料見面后才發(fā)現(xiàn)，網(wǎng)上的茱莉婭竟然是自己的前妻，因?yàn)槭聵I(yè)觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會，但都因?yàn)樾愿裨驅(qū)е录s會無疾而終，實(shí)則是因?yàn)楸舜藢Ψ竭€都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會，朋友們都認(rèn)為他們非常般配，他們也有意重新開始。在這關(guān)鍵時刻，茱莉婭的前男友出現(xiàn)，試圖挽回茱莉婭，而尼克的前女友也又一次聯(lián)系了尼克，他們礙于面子，將復(fù)合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時間后發(fā)現(xiàn)還是忘不了對方，在情人節(jié)的晚上，他們終于放下心結(jié)，重新走到一起。
薩利姆鬼屋事件
小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone新警長一家住進(jìn)了免費(fèi)的一個很大的老房子里,但里面卻有.... The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.
校園往事
宋欣諾,吳長浩,陽院生,王海卓,陳升衛(wèi)單純善良的女主人公（陳夢曦）踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公（陸晨）對陳夢曦一見鐘情，因?yàn)槔钭榆幨顷悏絷氐耐溃宜c陳夢曦、梁燕形影不離，所以陸晨對李子軒有意見。陸晨與他朋友們經(jīng)常整蠱欺負(fù)李子軒，一次在操場上陸晨和他朋友一起把李子軒給揍了。善良樂于助人的陳夢曦與梁燕知道后，決定幫助他們化解矛盾，通過接觸與了解，陸晨與李子軒及陳夢曦、梁燕之間的友誼逐漸形成。一天晚上，梁燕去參加朋友的生日晚會后，被人綁架了，陸晨與陳夢曦、李子軒及他的幾個朋友拿錢去解救梁燕，他們與劫匪打了起來，他們?nèi)勘唤俜舜虻梗P(guān)鍵時刻，班主任帶保安隊(duì)長來到，經(jīng)過一番激烈搏斗，最終保安隊(duì)長制服了劫匪。
社區(qū)戰(zhàn)警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew當(dāng)社區(qū)的毒品問題開始影響居民并引發(fā)動亂時，人們將求助的目光投向了警方。然而，這些本應(yīng)保護(hù)和服務(wù)民眾的警官們，卻對此問題視而不見。一群熱心居民組成民防隊(duì)，誓言將肅清不法掃蕩三害！