敲敲門(mén)
小有名氣的建筑師埃文·韋伯（基努·里維斯暫無(wú)內(nèi)容Keanu暫無(wú)內(nèi)容Reeves暫無(wú)內(nèi)容飾）事業(yè)有成，生活美滿。他住在洛杉磯一套親手設(shè)計(jì)的別墅中，妻子凱倫（伊格納西·阿爾曼德暫無(wú)內(nèi)容Ignacia暫無(wú)內(nèi)容Allamand暫無(wú)內(nèi)容飾）美艷動(dòng)人，一雙兒女杰克（Dan暫無(wú)內(nèi)容Baily暫無(wú)內(nèi)容飾）和莉莎（Megan暫無(wú)內(nèi)容Baily暫無(wú)內(nèi)容飾）乖巧可愛(ài)。某個(gè)假日，凱倫驅(qū)車(chē)帶著孩子們外出度假，留下埃文一人在家中工作。瓢潑大雨之夜，艾文突然聽(tīng)到了敲門(mén)聲。來(lái)者是被淋成落湯雞的女孩貝爾（安娜·德·阿瑪斯暫無(wú)內(nèi)容Ana暫無(wú)內(nèi)容de暫無(wú)內(nèi)容Armas暫無(wú)內(nèi)容飾）和吉妮絲（洛倫扎·伊佐暫無(wú)內(nèi)容Lorenza暫無(wú)內(nèi)容Izzo暫無(wú)內(nèi)容飾），他們迷失方向，請(qǐng)求埃文提供幫助。兩個(gè)女孩就像善解人意又誘惑媚人的小妖精，讓埃文多少有些把持不住。
即刻觀影
劇情賞析
編輯推薦
你留下的痕跡
麥卡·夢(mèng)露,泰里克·威瑟斯,布萊德利·惠特福德,勞倫·格拉漢姆,希拉里·杰迪妮,詹妮弗·羅伯遜,魯?shù)稀づ丝?萊尼·威爾遜,尼古拉斯·杜威內(nèi),佐伊·科索維奇,Rick Koy,Susan Serrao,Anne Hawthorne,Monika Myers,Laird Reghenas,Kevin Corey,Bud Klasky,羅里·埃德加影片改編自科林·胡佛2022年出版的暢銷(xiāo)小說(shuō)，講述一段關(guān)于母性、寬恕，以及愛(ài)的力量是如何修復(fù)最嚴(yán)重錯(cuò)誤的動(dòng)人旅程。在和男友有一次看似完美的約會(huì)之后，肯娜（麥卡·夢(mèng)露 飾）犯下一個(gè)無(wú)法彌補(bǔ)的錯(cuò)誤，使她被送進(jìn)監(jiān)獄。七年后，她回到懷俄明州的家鄉(xiāng)，希望能夠重新建立她的人生，并且爭(zhēng)取與她從未見(jiàn)過(guò)的女兒蒂恩母女團(tuán)圓的機(jī)會(huì)。當(dāng)擁有蒂恩監(jiān)護(hù)權(quán)的祖父母堅(jiān)決拒絕讓肯娜見(jiàn)她的女兒時(shí)，她卻意外地在一位前美式足球球員以及當(dāng)?shù)鼐瓢衫习宓睦捉埽ㄌ├锟恕ね?飾）身上找到意想不到的同情心以及更真實(shí)和深切的情感。隨著他們的秘密戀情逐漸發(fā)展，他們兩個(gè)人也面對(duì)越來(lái)越多的危險(xiǎn)，這把肯娜逼向心碎的邊緣，然而，最終也讓她有希望得到第二次機(jī)會(huì)。
作惡者
Melanie Liburd,Kiah McKirnan,Ireon Roach在她18歲生日那天，堅(jiān)強(qiáng)的女孩喬尼吃了一個(gè)由她的阿姨根據(jù)一個(gè)神奇的家庭食譜烤的蛋糕，并經(jīng)歷了一個(gè)徹底的變形。隨著幾個(gè)同學(xué)失蹤，一個(gè)血腥的成長(zhǎng)故事發(fā)生了。
超級(jí)士兵
約翰·亞伯拉罕,杰奎琳·費(fèi)南德斯,拉庫(kù)爾·普雷特·辛格目睹一名陸軍士兵的崛起，他意識(shí)到自己的命運(yùn)，并在與內(nèi)心的惡魔和外部敵人作戰(zhàn)時(shí)，成為印度第一名為打擊恐怖分子而創(chuàng)建的超級(jí)士兵
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鐵板燒
許冠文,葉倩文,葉麗儀,盧海鵬,車(chē)保羅,許英秀,黎小田,李燕萍,劉允,黃文慧阿黃（許冠文 飾）是一名料理師，個(gè)性有些輕浮又十分愛(ài)現(xiàn)，但實(shí)際上，他是個(gè)名副其實(shí)的“妻管?chē)?yán)”。阿黃和爺爺（許英秀 飾）一起住在岳父（盧海鵬 飾）家中，岳父性格武斷又強(qiáng)勢(shì)，生活中阿黃免不了要受氣，日積月累下來(lái)，阿黃的心中積蓄了許多不滿。 某日，一位名為施施（葉倩文 飾）的美麗女子出現(xiàn)在了阿黃的面前，她正是阿黃的夢(mèng)中情人。讓阿黃沒(méi)有想到的是，施施竟然對(duì)自己一往情深，還邀請(qǐng)他去菲律賓度假，這樣的好機(jī)會(huì)阿黃怎么能夠放過(guò)，兩人遂即動(dòng)身。阿黃的妻子（鄒美儀 飾）和好友雪莉（葉麗儀 飾）得知此事，遂和父親一起，對(duì)阿黃展開(kāi)了“追捕”。
風(fēng)雪飄搖
王宇,伊日貴,其那日?qǐng)D,鋼特木爾,趙思芮,熬爾,巴音故事背景發(fā)生在抗日戰(zhàn)爭(zhēng)時(shí)期，主角郭東是一名獸醫(yī)，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個(gè)小鎮(zhèn)上，過(guò)著惶惶不可終日的生活。郭東的自暴自棄使得他與當(dāng)?shù)厝水a(chǎn)生許多矛盾。就在此時(shí)，一名蒙古族孕婦的生命危在旦夕，眾人無(wú)奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下，重新明白了"英雄"的意義，完成了自我救贖。