無水之池

? 2.6 播放：04萬 2026-04-27

別名：水のないプール 本片的主人公是一名地鐵剪票員（內田裕也 飾），他對乏味的工作感到厭煩卻又無力改變。他有一個普通平凡的家庭，育有一子一女，生活過得平平淡淡。在一個暴雨夜里，他救了一名險被強迫的少女，兩個人因此而相識，他內心的欲望被喚醒，他的生活也因此悄悄發生了改變。 有一天，在他準備了所有作案工具后，他跟蹤一名年輕漂亮的獨居女性回家，得知她住處后，在夜里潛入她公寓實施迷奸。以后一到夜里，他就先用-物將她迷暈，再潛入家里對其進行迷奸，而且還替她準備早餐，幫她打掃房間。后來他開始潛入多個獨居女性的公寓，迷奸后還給昏睡的她們一一拍照留念。他剪短了頭發，辭掉了工作，用照片來記錄少女裸露的身體姿態　

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劇情提要

別名：水のないプール 本片的主人公是一名地鐵剪票員（內田裕也 飾），他對乏味的工作感到厭煩卻又無力改變。他有一個普通平凡的家庭，育有一子一女，生活過得平平淡淡。在一個暴雨夜里，他救了一名險被強迫的少女，兩個人因此而相識，他內心的欲望被喚醒，他的生活也因此悄悄發生了改變。 有一天，在他準備了所有作案工具后，他跟蹤一名年輕漂亮的獨居女性回家，得知她住處后，在夜里潛入她公寓實施迷奸。以后一到夜里，他就先用-物將她迷暈，再潛入家里對其進行迷奸，而且還替她準備早餐，幫她打掃房間。后來他開始潛入多個獨居女性的公寓，迷奸后還給昏睡的她們一一拍照留念。他剪短了頭發，辭掉了工作，用照片來記錄少女裸露的身體姿態　

幕后花絮

鬼眨眼

　　A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.