甜妹妹
凱和路易同居在一起，他們的關系出現了危機,面隊路易的前女友，還有不請而來的精神不太正常的妹妹;甜心多恩，母親離開父親，獨自遠行，著一切都讓凱感覺到生活前所未有的困惑... 凱伊（Karen Colston 飾）總是與妹妹朵恩（Genevi egrave;ve Lemon 飾）不合，朵恩破壞她的衣物，勾引她的男朋友路易斯，性格任性又暴躁，沒有朋友，鄰居小男孩是唯一親近她的人。朵恩將男友鮑勃帶到家里住，兩人肆無忌憚地瘋狂ML，使得凱伊非常不滿最后將鮑勃趕了出去。某日父親在母親離家后拜訪凱伊，他愛妹妹朵恩卻對她無計可施。在咖啡館，他希望身為制作人的鮑勃能帶朵恩進入影視圈，好圓她的夢想。母親給凱伊來信邀請她和路易斯去看望她，朵恩坐在汽車里固執地堅持要去。父親最后只好打了假電話謊稱鮑勃有演出信息要找朵恩，趁朵恩接電話之時一家人開車絕塵而去。當他們返家時，發現朵恩的怪誕行為更加變本加厲 澳大利亞著名女性導演簡t;坎皮恩代表作《鋼琴別戀》的劇情長片處女作。影片1991 獨立精神獎獲獎最佳外語片，1989 戛納電影節提名金棕櫚。澳洲影協最佳影片、導演與女主角獎，以及法國喬治薩杜與美國獨立精神獎最佳外語片獎。
在線看
同款熱播
攔截火狐貍
Robert Sampson,Will Bledsoe,喬·托克爾It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre一群朋友計劃離開城市去海邊度過一個輕松的周末，但事情發生了變化，一個年輕女子在一個偏僻島嶼的岸邊向他們揮手求助。伸手救援便是致命的危險，他們不顧一切要逃離小島。
暗杠
梁爽,李正國民國中后期，官僚腐敗，道德滑坡，民生環境日益惡化。亞細亞建筑公司老板王大偉等人為了謀取私利，在工人勞保和保險上違規節省成本，導致工人意外身亡，該工人妻子在王大偉等人打麻將的茶館進行秘密復仇……
驅魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當·戈德堡,亞德里安·帕斯達,戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克芮安·辛普金斯([布里斯比熊])、克洛伊·貝利(《成長不容易》)加盟，羅素·克勞主演的米拉麥克斯打造的超自然驚悚片[喬治城項目](The Georgetown Project，暫譯)。約書亞·約翰·米勒、M·A·福廷自編自導。克勞將飾演陷入困境的演員安東尼·米勒，他在拍攝一部恐怖片的時候，開始變得不安。與他疏遠的女兒(芮安飾)想知道他是不是再次毒癮發作，還是遭遇了什么邪惡的東西。克洛伊飾演這部恐怖片中的女演員。影片目前在華盛頓拍攝中。
留低你個死人頭
William Baldwin,安琪拉·瓊斯蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非常可怕的經歷，年幼的她曾經在兇殺現場親眼目睹死尸。這一段奇異的人生經歷讓蓋布麗開始對尸體和死亡產生了好奇之心，這股子好奇隨著她年齡的增大越發強烈起來，蓋布麗甚至會特意的收藏報紙上的謀殺新聞做成剪報冊，時時翻閱溫習。 邁阿密接連發生兇殺案，被害者均是養尊處優的闊太太，而且無不身首異處。這起連環殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現場，蓋布麗來到了一間專門清理命案現場的保潔公司應聘成為了員工，并且在機緣巧合之下同連環殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.