即刻觀影
劇情賞析
編輯推薦
我們是伯利恒
多洛蕾斯·方齊,卡米拉·普拉阿特,勞拉·帕雷德斯,朱麗葉塔·卡迪納利,Sergio Prina,路易斯·馬辛,凱撒·特龍科索,Lili Juarez,Ruth Plaate,Gaia Garibaldi,Susi Andersen,Eugenia Blanc,Daniel Cabot,Camila Caram,Aquiles Casabella,Edgardo Castro,Tamara Dawidowicz,Pilar Mestre Del Bono,Fabio Di Tomaso,Sofía Diam2014年，阿根廷圖庫(kù)曼省；一名年輕女性因劇烈腹痛入院，當(dāng)時(shí)她并不知道自己已有身孕。醒來(lái)時(shí)，她發(fā)現(xiàn)自己被手銬銬在輪床上，周圍全是警察。她被指控自行墮胎，在拘留兩年后，因加重殺人罪被判處八年監(jiān)禁。 圖庫(kù)曼省的一位女律師將為她的自由而戰(zhàn)，數(shù)千名女性與眾多組織紛紛聲援，她們團(tuán)結(jié)起來(lái)，試圖改變歷史的走向。
定時(shí)拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson某座住宅區(qū)，負(fù)責(zé)公寓內(nèi)各項(xiàng)維修事務(wù)的菲恩（Matt O'Leary 飾）和約瑟（George Finn 飾）是一對(duì)窮的叮當(dāng)響的好基友。某天菲恩的女友凱莉（Danielle Panabaker 飾）來(lái)到他們的住處，當(dāng)?shù)弥≡诟舯诘呢愊壬呀?jīng)很長(zhǎng)時(shí)間沒(méi)走出房門(mén)時(shí)，凱莉自告奮勇上門(mén)查看，結(jié)果卻一臉錯(cuò)愕地回到二人面前。原來(lái)貝先生早已不見(jiàn)蹤影，房間內(nèi)一面墻貼滿了以三個(gè)人為對(duì)象的拍立得照片，窗口則有一臺(tái)奇怪的機(jī)器正對(duì)著菲恩和約瑟的房間。不久后他們發(fā)現(xiàn)，那臺(tái)機(jī)器竟是可以拍攝到未來(lái)情景的照相機(jī)。他們發(fā)現(xiàn)了貝先生的尸體，然而因?yàn)檎障鄼C(jī)的原因秘藏了此事。 無(wú)意間擁有了窺視未來(lái)的手段，年輕人們的心不知不覺(jué)躁動(dòng)起來(lái)……
玩具熊的五夜驚魂2
喬什·哈切森,伊麗莎白·萊爾,派珀·盧比奧,馬修·里沃德,弗萊迪·卡特,斯基特·烏爾里奇,西奧多斯·克萊恩,特歐·布里奧尼斯,奧布里·布羅克韋爾,本特利·庫(kù)珀,梅根·福克斯,凱倫·高夫,麥肯娜·格瑞絲,韋恩·奈特,特拉茲·拉肖恩,賈昆·門(mén)羅-亨德森,托比·尼克爾斯,馬修·帕特里克,韓·索托,凱特琳·埃德林頓官方宣布第二部
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
校園點(diǎn)將錄
李麗珍,谷峰,何啟南,陳山河,焦姣,陳松伶預(yù)科學(xué)校若智書(shū)院有一群成績(jī)堪憂思想活躍的學(xué)生，校董家的謝天（何啟南 飾）與謝地兄妹憑借老爸身份，即便留級(jí)也不擔(dān)心學(xué)業(yè)；綽號(hào)水電工的嘉明為人老實(shí)，暗戀同學(xué)白逸夢(mèng)（陳松伶 飾），而白逸夢(mèng)滿腦子言情幻想，全然沒(méi)有留意；李時(shí)珍（李麗珍 飾）因?yàn)樵谀咸窖笕簫u旅游，耽誤了開(kāi)學(xué)日，在旅游期間，李時(shí)珍結(jié)識(shí)了香港青年戴運(yùn)河（陳山河 飾），運(yùn)河對(duì)時(shí)珍一見(jiàn)鐘情，不顧家人反對(duì)退掉美國(guó)大學(xué)，趕到香港入讀若智書(shū)院。運(yùn)河的到來(lái)令謝天大為緊張，謝天屬意時(shí)珍日久，和死黨吳成材一直無(wú)法打動(dòng)芳心，但也不能容忍運(yùn)河插手。校園內(nèi)一時(shí)掀起了一場(chǎng)多角戀愛(ài)的爭(zhēng)奪……校董面對(duì)惡作劇的學(xué)生們大為光火，聘請(qǐng)軍校老師對(duì)書(shū)院進(jìn)行軍事化管理，這引發(fā)了學(xué)生們的空前團(tuán)結(jié)……
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺(jué)——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…